Tag Archives: Gordon R. Dickson

Interview: Jamie Ibson

Greetings all

In honor of the upcoming release of Keen Edge of Valor, I thought I’d provide some interviews of the authors in the anthology throughout March. Today, we start with Jamie Ibson, who actually is one of the reasons I got started with New Mythology Press.

Jamie asked Chris to do an anthology involving altered humanity. That was We Dare, and I have a fun story in there (And a fun story about that fun story). Anyway, others had asked as well, including James Young and his magnificent Phases of Mars series of alternate military history, of which I have the honor to be in all three.

But these other anthologies prompted me to ask Chris, may I do an anthology of fantasy stories? That became When Valor Must Hold, and from that I have ended up here with New Mythology.

OK, enough about that, on to the interview.

Jamie Ibson

  1. Why are you here? This includes influences, favorite creators, steps along the way, and dreams down the road.
Jamie ibson
Jamie ibson

Kevin Ikenberry and Michael Z Williamson have taught me more, directly, about the craft of storytelling than anyone I can think of.

More generally I grew up reading D&D fantasy like the Forgotten Realms books, SF off my Dad’s bookshelf like Robert Heinlein, Gordon R Dickson, Spider Robinson, and Joe Haldeman.

These days I often find little aspects of gaming I find intriguing – for example, using crystals to power magical effects in the Westlocke stories (ed. note: You can find the first two in Songs of Valor and Keen Edge of Valor) comes directly from a Fridge Horror moment playing Skyrim where I was slaying wolves left and right, charging up my soul gems, and went “wait… doesn’t this make me the Fantasy equivalent of the machines from the Matrix?”

“Creators” is a great non-specific term and some of my favorite YouTube videos are of self-made musicians like Leo Moracchioli, who is an absolute maniac in Norway pumping out a new heavy metal cover song, with video, every Friday. His music often accompanies me as I write. He plays a bajillion instruments, sings, growls, records, produces, edits video, and generally is only not a one-man show when it comes to bringing in guests or going on tour.

I’m also heavily into mashup songs, where an artist will take, say, the Ghostbusters theme song and overlay the Gangnam Style lyrics to it and it’s genius.

Book-wise, falling in with the CKP crowd has been tremendous. With all the foolishness going on in the world, having a regular Saturday night video call with friends literally all over the globe, with conversations that sometimes last 6, 7, 8 hours has been a boon to my mental health.

I became a creator in the first place at LibertyCon 30, when I learned it wasn’t nearly as impossible as I believed it to be. I chose to create because  I found my people. Science fiction and fantasy nerds are best nerds.

Fingers crossed, I would like someday, perhaps someday soon, to narrate one of my own works.

  1. Describe your great Lab of Creation? This includes where you work, what do you listen to (if anything), things you have to have in your work environment, and stuff you’ve tried that haven’t worked.

I work at home. Used to be in the attic, now it’s in a room on the 2nd floor of the house. I’ve got two scratching posts to my right, my bar fridge to my left, my RPG gamebooks over my left shoulder and my RPG figures/miniatures in a cabinet over my right shoulder.

I was originally in the attic, but the floor up there is uneven and I found the ergonomics was putting me in for massage and chiropractic more often than I’d like. The floor literally dropped 4” over 15’. (That’s bad.) The floor in here is much more even.

Gizmo Helping
Gizmo Helping (Jamie needs all the help he can get)

As I mentioned above… Leo Moracchioli, Holocene, and First to Eleven for covers. DJ Schmolli, DJ Cummerbund, William Maranci, Bill McClintock all do mashups. When I’m feeling nostalgic I might listen to Soundgarden, Perturbator, Foo Fighters (especially their live stuff, especially Monkey Wrench featuring Kiss Guy), or electroswing like Caravan Palace.

Cats exist in my working environment – Naomi the ninja, Miss Belle, Floofiest Of Her Name, and Gizmo, the new kitten.

  1. What are your superpowers? This includes things you like your creations, specific techniques you do well, and some favorite successes.

I like lots of different cultures in my writing. I currently plan to put each of the four (five?) Myrmidons books on a different planet with a different… Terran Ancestry, if you will. Urbicide was set on Montoya, in La Republica Del Escobar, which gave everything a distinctive South American Spanish tilt. Disavowed will be in & around the hive city of New Athens, in the Hellenic Cluster, so it’ll be Space Greek. Other destinations will include Space Russia, Space Japan, and probably Space Canada.

I think I do my combat scenes well. I’m 40, and since the age of 17 I’ve only had 1 year where I wasn’t wearing an infantryman’s uniform or a redcoat (ed. note: he’s Canadian, so by redcoat he means the RCMP).

I’ve been in fistfights, I’ve trained for firefights, I’m a good scrapper and good with a firearm. I try to keep my fight scenes tight and chaotic but accurate.

We Dares 1, 2, and 3
We Dares 1, 2, and 3

I’m very proud of the We Dare anthologies. Number Four is in the closing stages right now, and the feedback from them has been great, both from readers and from my contributors.

We Dare 1 was the first book with my name on the cover, and I had no idea what I was doing. Between them and last year’s And Then It Got Weird, I’ve edited more than 70 short stories, have generally had very good feedback from my contributors, and I think we’ve released a really great series of anthos featuring some really great authors.

  1. What will Lex Luthor use to defeat you? This includes challenges you’ve faced that frustrated you, learning experiences, techniques for overcoming creative challenges, things you’d have done differently, and advice for new writers.

Hah, I am my own Lex Luthor. I struggle with self-doubt, anxiety, impostor syndrome, and have trouble focusing. So I’m not as productive, word-count wise, as I’d like to be.

Gizmo Gaming
Speaking of cats…

Sometimes, some very rare times, I can focus like a laser and I can bang off 4000+ words in a night. Others I’m like a cat chasing a disco-ball’s worth of little red laser lights and I’m so scattered as to be useless.

I wouldn’t say failures, so much as sticking points where I’ve gotten jammed up. And in those cases, I have some pretty great friends I can go to with a problem and say “So… how about this?” and they’ll say “Oh, do that” and boom, they can see to the heart of the issue pretty much immediately. I have really smart friends.

I overcome slow points a number of ways. Grind through, sprint, dictate, change the subject… curse Lex Luthor and his inability to focus…

Urbicide
Urbicide

I’d tell new writers, when getting going, find something you want to create for yourself and focus on it like a laser.

To date, I’ve written one 4HU novel co-written with Jason Cordova, another with Casey Moores, one in Christopher Woods’ Fallen World, and Myrmidons Inc: Urbicide. Getting going as a noob is difficult and I likely would have enjoyed greater sales and success if I had, say, written three Myrmidons books first before branching off in some other direction.

Lightning Round
  • Actor/Actress You’d Like to Play Any Character You’ve Created: Brendan Fraser to voice Bellerophon. He’s brilliant in Doom Patrol and I love him to pieces
  • Favorite Muppet? Pepe
  • Belle
    Belle

    Favorite Musical Performer We’ve Never Heard Of? Bill McClintock. (Check out his “Slipshack” mashup of Slipknot and the B-52s, it’s wild)

  • Winter, Spring, Summer, or Fall? Summer, because we live in the Maritimes now and I have a 9’ pile of snow in my back yard.
  • Favorite Superhero? Wolverine
  • Best Game Ever? Horizon Zero Dawn
  • Favorite 1970s TV show? Lol, I dunno man I was born in 81 and the cartoons I grew up on were pretty great…
  • Do You Have Pets? Naomi, Miss Belle, and Gizmo.Favorite Weird Color? Michelle has a gorgeous Victorian gown made out of a… I think it’s called taffeta, where it shimmers between brown and green. The effect is amazing.
  • Best Present You’ve Ever Received? Michelle gave me a pen as I embarked on my writing journey that simply says “Believe” on it. (See Lex Luthor weaknesses above for why that’s relevant)
  • Favorite Sports Team? Team Canada Hockey at the winter olympics
  • What Cartoon Character Are You? Optimus Prime
  • Your Wrestler Name? The Frozen Hoser
  • Your Signature Wrestling Move? The Avalanche
  • Naomi
    Naomi

    What Do You Secretly Plot? [Redacted]

  • How Will You Conquer the World? [Still Redacted but nice try]
  • Best Thing From the 80s? Weird Al Yankovic, and/or Saturday Morning Cartoons
  • Favorite Historical Period? The Renaissance. People had style.
  • Person In History (Living or Dead) You Want To Hang Out With? Robert Heinlein
  • Steak Temperature? Medium Rare, I guess? I’m not really a steak guy, I prefer BBQ and burgers and pulled pork carnitas and tacos.
  • Favorite Chip Dip? Ranch
  • Beverage(s) of Choice? Homemade Nuka Cola with Baron Samedi spiced rum
  • What Actor or Actress Should Portray You in Your Biopic? Bruce Willis from like, 30 years ago
  • What Question Should I Add to the Lightning Round? Rock, Paper, or Scissors? (ed. note: Me like rock!)

What question(s) would you like to ask me?

Of all the stories you’ve published, which one is your personal favorite and why?

Rob’s Answer: So. I gotta pick between my babies? Yeeesh.

My favorite might be either the first or the third of the stories I gave James Young for the Phases of Mars.

Gizmo
More Gizmo, because who doesn’t want more kitten pictures?

The first story is the only time the Muse hit me over the head with a Clue-by-4. I literally can tell you only that it was set in 1908 and nothing else, or it gives the story away. The key to that is the final word, which I used only once in the story, though James quite rightly initially pushed for me to use it throughout as editor.

The third was the only story I’ve written in the time period I’ve actually studied, Anglo-Saxon England. It was a retelling of the Battle of Maldon, with some reconsideration of Byhrtnoth’s “ofermod” and the strategic challenges he faced. Oh, and there’s a plausible way the English could have won.

I could say the story I sent to Jamie for We Dare, but that’s mostly because of the story about the story, which he and I still tell. Just give us a beverage…

There’s the story I gave to Kevin Steverson for his Salvage Title Universe that was totally written to be quirky and fun. Putting in 227 band name and song name references in a short story was a great challenge.

The Ravening of Wolves, frankly the whole Foresters series, proved to me I could do this job.

I’ve skipped over a bunch, and each of them has a particular reason for being precious to me.

I think, though, I have to say A Lake Most Deep. Yes, it’s my first book and it’s flawed for many of the common first book reasons. But I wrote it in a really down place in my life, and I’m not entirely sure where I’d be or even if I’d be if I hadn’t written it.

Tell me again where we can find your stuff?

And where can we find you?

Conventions are on hold until we can cross into the USA without needing to invest in covid tests. Generally speaking, I go to LibertyCon, went to FactoryCon last October, and hope to attend FantaScis, Superstars, and maybe LTUEs going forward? We’ll see, that’s a lot of travel from the frigid north.

Do you have a creator biography?

Jamie Ibson is from the frozen wastelands of Canuckistan, where moose, bears, and geese battle for domination among the hockey rinks, igloos, and Tim Hortons. After joining the Canadian army reserves in high school, he spent half of 2001 in Bosnia as a peacekeeper and came home shortly after 9/11 with a deep sense of foreboding. After graduating college, he landed a job in law enforcement and was posted to the left coast from 2007 to 2021. He retired from law enforcement in early 2021 and moved clear across the country to write full time in the Maritimes. He is married to the lovely Michelle, and they have cats.

Final question for you: What should I have asked but did not?

What are you doing now, that much-younger-you never would have guessed you’d love?

(Me, cooking/turning into a foodie)

Rob’s Answer: Oooh, great question. For me, it might actually be writing itself. I started this job at 46, having never really written anything other than academic stuff, having never really done anything creative. I didn’t think I could.

Name two of your most-favorite niche genres, whether that’s within SF or Fantasy or Other…

(Examples: Cyberpunk SF, noir mystery, First Contact SF, military fantasy)

Rob’s Answer: Noir/hard-boiled mystery is probably the genre that fits into everything I write, no matter the other genre.

* * * * *

What a fun interview. Many thanks for Jamie fighting through the helpful assistance of his cats and providing me this to share.

Interview: Justin Watson

Greetings all

Justin is another author in Trouble in the Wind, the third of the Phases of Mars series of alternate military history.

Interview: Justin Watson
Justin Watson
Justin Watson

What is your quest?

The answer to that is maybe a little heavy to lead off, but here goes.  When I first started writing some years ago I would’ve said that my quest was to write stories that made readers feel the way writers like Heinlein, Dickson, Weis & Hickman and Claremont made me feel when I first read them, and do so consistently enough that my readers would pay me enough to make it my full time job someday.

That’s still part of what puts me in front of the computer, of course.  More than that, though, I find myself drawn, unsurprisingly, to soldiers’ stories.  I served as an US Army Field Artillery officer for ten years, including time in Iraq and Afghanistan.  What I saw there was a bunch of great people stuck in a crappy, ambiguous situation, still trying to serve with honor and be true to their principles.  If there’s a uniting theme to my fiction so far, it’s that—good people doing the best they can when their options are all excruciating.

What is your favorite color?

Green, Black and Red remain tied.

I like the vibrancy of green both in the environment and in art.  One of my favorite memories from the Army is the days I stepped off the plane in Germany or Colorado upon returning from the sandbox and seeing all the life around me, even in urban areas.

I enjoy the simplicity, and okay, sometimes the morbidity of black.  From Raistlin Majere to Darth Vader to Johnny Cash, the best characters wear black.  Yes, I know Johnny Cash was real, that doesn’t mean he wasn’t also a character.

And I like the boldness, heat and the implied violence of Red.  Plus, it is the color of the United States Field Artillery, King of Battle.

What is the average flying speed of an unladen paint brush?

The very first time I remember writing fiction was when I was nine years old—it was an absolutely flagrant knock off of the first chapter of Dragons of Autumn Twilight by Margaret Weis and Tracy Hickman.  The next thing I worked on through middle school and high school was a pastiche of WEB Griffin’s The Brotherhood of War.  Then at West Point I pecked out a lengthier, more sophisticated but still awful imitation of a DragonLance novel. In between those big projects I peppered attempts at Heinleinesque science fiction short stories, complete with my own The Past Through Tomorrow chart.

It was all terrible, and at one point I looked back on all that junk I wrote as time wasted.  Like many writers, though, I’ve come to realize that every hackneyed, boringly derivative word I put onto the screen was absolutely vital.  Without writing all that garbage I never would’ve developed the skills to write the good stuff, to borrow and steal from my influences in a fun and creative manner rather than writing the crappy rip-off.

What are the powers of your personal Holy Hand Grenade?

I’d say there are three things I’ve learned that really helped me turn the corner from, “man, I wish I could be a published author someday,” to, “oh, holy crap, I have deadlines to meet.”

Michael Stackpole, of Battletech and Rogue Squadron fame, used to have a podcast called Dragon Pages.  It was a good podcast overall, but especially helpful to me was a series of episodes he did on outlining.  Sadly, the podcast is no longer available online, but the basic idea was you take a base figure of 100,000 words, divide it by 40 into 2,500 word chapters (one long scene or two-three short ones) and that helps you put a novel into bite-size chunks.  That technique helped me finish my first (as of yet unsold) novel manuscript.  That novel was not ready for the big time, BUT in the writing and finishing of it I gained both a lot of skill and a lot confidence in my ability to simply keep my ass in the chair and produce words.

A couple years back I took David Farland’s Enchanting Prose course when he was holding a seminar in Dallas.  His teaching on how to properly craft and seed appeals to all five senses throughout action and description in prose was pivotal to me.  It raised both the quality of my writing and helped serve as a way to get past writers’ block.  Now when I am stuck, I’m usually able to work my way through the blockage by asking, “what is this character actually seeing, hearing, feeling and smelling right this instant?”

But the most important thing I learned was actually from my wife, who read most of those million words of dreck I mentioned earlier.  Michele was unfailingly encouraging, but even more importantly, as I took my writing more seriously, she was my most honest and unflinching critic.  Michele would never, ever knowingly let me write one of my characters doing something out of left field, “because I need it to happen that way,” without remarking on it.  She wouldn’t let me get away with being too indulgent, or cheap, or purple in my prose.

And I responded to her loving, kind, unyielding criticism with the poutiest of boo boo lips… at first.  Then I learned to listen to her, and to make the writing better rather than getting hurt.  And by the time I was actually putting my writing in front of editors, I was practiced at receiving, evaluating and incorporating criticism like an adult.

I say that the ability to take criticism is the most important, because that’s how we get better.  For most people it’s damned difficult to hear what’s wrong with your writing, especially since almost everyone starts out a terrible writer.  It feels amazing to hear someone tell you what a brilliant, insightful and evocative writer you are, but if you can’t take criticism professionally and get better, you’re probably in for a hell of a time just getting in the door as a writer.

Lightning Round

  • Best Thing From the 80s? The Empire Strikes Back. Or Back to the Future, or Jefferson Starship, no Whitesnake, or maybe Eddie Murphy Raw…The 80s were just awesome.
  • Your Wrestler Name? Short Fuse, which is also the name my daughter gave my character in the My Little Pony RPG she DMs for me, her mom, and her siblings.
  • And Signature Wrestling Move? The Mozambique. Engaging in hand to hand combat indicates you may have incorrectly assessed a threat.
  • Favorite Weird Color? Neon blue or green like Tron. I love that retro-futurist look.
  • How Will You Conquer the World? With a unique blend of the Iron Fist and the Power of Friendship.
  • What Cartoon Character Are You? Donald Duck.
  • Best Present You’ve Ever Received? My wife converted my Dad’s VHS tapes of Discovery Channel Wings (the documentary series, not the sitcom) into digital files so I could watch them again.
  • What Do You Secretly Plot? “Anarchy—That I run!”
  • Favorite Sports Team? Go Army.  Beat Navy.
  • Cake or Pie? Pecan Pie. I’m only tenuously a Southerner, but the correct answer is always Pecan Pie.
  • Lime or Lemon? Lime in a Modello or Dos Equis.
  • Favorite Chip Dip? Sour cream with a good hot salsa, muy delicioso.
  • Favorite Musical Performer We’ve Never Heard Of? Norbert Leo Butts or Sherrie Rene Scott. Listen to the Dirty Rotten Scoundrels Original Broadway Recording or The Last Five Years, but if you get the Last Five Years, I only recommend the happy half of it.  And make sure it’s the Broadway recording, not the Anna Kendrick version.
  • Whisky or Whiskey? Well the bottles of Balvenie and Oban I love so much say Whisky, but this here is America, and it’s spelled Whiskey in the Land of the Free, by God.
  • Favorite Superhero? What Chris Claremont did with Logan in his run on Uncanny X-Men, and in the graphic novel he wrote with Frank Miller was phenomenal.  The Barry Windsor Smith Weapon X series was also legit and Wolverine’s solo comic was entertaining to me well into its 100th issue.  It’s a damn shame the character became a victim of his own success both in the comics and movies.  Even though he’s my favorite, and Hugh Jackman is amazing, the franchise really did shortchange all the other fascinating X-Men in favor of their lead.  It’s a mistake the MCU was wise to avoid with the Avengers and other heroes in their universe.
  • Steak Temperature? Medium or Medium Rare.
  • Favorite 1970s TV show? Mork & Mindy. Good Lord, do I miss Robin Williams.
  • Winter, Spring, Summer, or Fall? The five minutes of fall we get here in Houston between, “Oh, my God, how can my underwear hold that much sweat Summer,” and, “Forty degrees doesn’t sound cold until you pair it with 302% humidity Winter.”
  • Favorite Pet? Chokydar J. Pullibear von Pullingham, of the West Von Pullinghams.  Michele’s and my first dog, a Hungarian pulli we got in 2006 (before Mark Zukerberg had ever heard of the breed).  Choky was a loon, and not fond of strangers, but she was a loving, adorable ball of energy to us and just look at that furry mug:
  • Best Game Ever? D&D and its offshoot cousins, Pathfinder and Starfinder.
  • Coffee or Tea? Coffee, black if it’s quality, loaded down with five pounds of cream if it’s not.
  • Sci-Fi or Fantasy? Love them both, and it’s close, but Science Fiction comes first with me.
Chokydar J. Pullibear von Pullingham, of the West Von Pullinghams
Chokydar J. Pullibear von Pullingham, of the West Von Pullinghams

What question(s) would you like to ask me?

Marvel or DC?

Rob’s Answer: I’m not a big comic book guy so my answer has to come from the movies. Generally, I would say Marvel. I think the heroes are stronger and have more depth. I have problems with Superman as a character because he’s too much a Mary Sue.

My favorite of all of it are the Guardians of the Galaxy movies, by the way. If you can keep a secret, I’ll also admit I haven’t seen all the recent Marvel movies. I will eventually, but I don’t go to movies at the theater often and then I forget about them until I end up binging things like this.

Star Wars Legends EU or Sequel Movie Canon?

Rob’s Answer: I am not an expert enough on either to really know the differences. I loved Star Wars, saw it 20 times or so the first week it was released. The Empire Strikes Back is one of my favorite movies. Return of the Jedi has some issues, but overall it completed the arc.

However, I’m always frustrated by the wasted potential of the other movies. I really enjoyed Timothy Zahn’s Star Wars novels, but that universe sort of lost its way somewhere in there, as I drifted away.

So, ummm, how about a Star Wars universe that I manage and arrange to my own personal benefit 🙂

Daredevil or Agents of Shield?

Rob’s Answer: Haven’t seen either, so I’m going to have to go Kevin Smith talking about Ben Affleck taking the role of Daredevil in his first Evening with Kevin Smith. The phrase “shark from Jaws” is never the same for me since I saw that.

If you picked the second choice on any of the above, who hurt you?

Rob’s Answer: Honestly I’m too much of a little of this, little of that guy to really take sides in these sorts of things. I’m a quirky guy and I tend to have things I’d change about everything, which means in this sort of context I’ll appreciate some of the ways things are done on each side.

This has increased, by the way, ever since I became a writer. It is almost routine for me to break down story structure and character creation in just about anything I watch anymore. I’m not perfect at such things, but I am always trying to figure out what I like and didn’t like so I can incorporate or exclude from my writing.

Tell me again where we can find your stuff? (

And where can we find you?

  • I am at LibertyCon in Chattanooga every year, I may start including some more cons, but for the moment that’s my home con.

Do you have a creator biography?

Justin grew up an Army brat, living in Germany, Alabama, Texas, Korea, Colorado and Alaska, and fed on a steady diet of X-Men, Star Trek, Robert Heinlein, DragonLance, and Babylon 5. While attending West Point, he met his future wife, Michele, on an airplane, and soon began writing in earnest with her encouragement. In 2005 he graduated from West Point and served as a field artillery officer, completing combat tours in Iraq and Afghanistan, and earning the Bronze Star, Purple Heart and the Combat Action Badge.

Medically retired from the Army in 2015, Justin settled in Houston with Michele, their four children and an excessively friendly Old English Sheepdog.

Final question for you: What should I have asked but did not? 

Well, not so much a question, and not to make it an Oscar speech, but I have to mention how fortunate I was that my parents, Ray and Dee Watson, instilled a deep love of books in me from as early as I can remember.  Dad, in particular, read every single Heinlein juvenile to me growing up.  I also have to thank Tom Kratman, who has been a pivotal mentor as both an Army officer and as a writer.  And naturally and foremost, I have to thank Michele and our kids for putting up with many and varied vagaries of living with a writer.


Thanks to Justin for taking the time to answer my questions.

If you have any suggestions or comments about this interview format, let me know so I can keep tweaking it.

Also, thanks to you for reading. If you’re interested in any of the other interviews I’ve done, you can find them all here: https://robhowell.org/blog/?cat=326. If you are a creator, especially an independent creator, and you want to be spotlighted in a future interview, email me at rob@robhowell.org.

Finally, if you want to join my mailing list, where I’ll announce every interview, as well as what’s going on in my life, go to www.robhowell.org and fill out the form (Name and Email Address) or drop me an email and I’ll add you.

Have a great day.

Rob Howell

Mag Review: Galaxy (April, 1963)

Frankly, this was probably my least favorite issue I’ve read so far. I didn’t care for any of the stories except one, none of the ads were fun, and nothing else appealed to me. Hence, I’m just going to give you a cursory review. I’ve got things to write in None Call Me Mother instead of drearily going over these stories.

Table of Contents: http://www.isfdb.org/cgi-bin/pl.cgi?58435

Galaxy (4/63) Cover
Galaxy (4/63) Cover

The cover story is The Visitor at the Zoo by Damon Knight. You know Knight at least because of To Serve Man, a fantastic short story from 1950. Visitor was not his best effort. The cause of the conflict is never adequately explained, it ran too long, and the twist at the end was predictable.

Worse, I can’t root for the main character. He’s a moderately intelligent alien in a zoo who has his brain somehow transplanted into the mind of a passing journalist. We are meant to root for him because he’s got a chance to get out of the zoo where he had been trapped. I empathized with that aspect, but the journalist was simply an innocent tourist, who lost everything. There’s little in the story of sympathy for him, and in the end, the creature chooses not to exchange positions and return to the way it was.

I can both reject the legitimacy of the zoo and at the same time despise the selfishness of the main character. And I do. I said this wasn’t Knight’s best effort. I sure hope it was his worst, because I really disliked it.

On the Fourth Planet by J.F. Bone was the only story to be reprinted often. It was about an alien struggling for life in a desolate world with the remnants of his people. It’s a hard life, and the law doesn’t allow for much leniency. Unfortunately for this alien, he runs into an object that hasn’t been there before. It fills him with food and hope. It also returns to him the cellular memory of his people, suggesting a way they can grow out of their barbarism. As you can probably guess by the title, it’s a NASA rocket that has landed on Mars.

The best story of the lot, by far. However, it’s not a great one, just a good solid story that in a better issue would have seemed like a nice supporting piece. Here, it was drug down by the awful cover story.

I suspect I’ll really like the June 1963 issue, if I every run into it. It has stories by Clifford D. Simak, Gordon R. Dickson, Keith Laumer, and John Jakes. This issue, however, was not my cup of tea.

Next week I’ll review the Imaginative Tales from September, 1955. It has a story by Mack Reynolds and an interesting thing I wish more magazines had done.

Next Week’s Issue: http://www.isfdb.org/cgi-bin/pl.cgi?183245


If you have any comments or would like to request I keep my eyes open for a specific issue or month, feel free to comment here or send an email to me at: rob@robhowell.org.

If you want to see previous reviews, the Mag Review category is here: https://robhowell.org/blog/?cat=432.

Have a great day.

Rob Howell

Mag Review: Astounding (March, 1951)

Greetings all

It’s the first Mag Review of 2019. I hope you enjoy these. I certainly have fun doing them.

By the way, I’m going to start something new. While I love these magazines, I don’t want to keep them all forever. So I will start giving them away at certain panels at various conventions. I’ll ask a trivia question and the winner gets it. I’ll also give out hints in my weekly update the week before those events. Stay tuned for ChattaCon.

Anyway, I’m reviewing Astounding Science Fiction, Vol. XLVII, No. 1 (March, 1951) today.

Astounding (March, 1951) Cover
Astounding (March, 1951) Cover

Table of Contents: http://www.isfdb.org/cgi-bin/pl.cgi?57572

Whatever else this issue contains, I love this cover. Rockets, stars, emotion. I love it.

It also has a fantastic ad on the inside of the cover:

  • Live in the days of the Galactic Empire…
  • Live on the ships of the first Interstellar Expedition…
  • Live – in a million could-be years, on a thousand may-be worlds.
  • The hope and attainments – the strivings and ultimate defeats – of all the future years of endless time.
  • We’ve a Time Machine for sale – a simple little machine of paper and ink that, coupled with your own mind, can soar down the years of Eternity.
  • It’s a small thing – and the doorway to Infinity and Eternity .

Ok, you got me. Sign me up now!

The issue starts with John W. Campbell’s editorial Elementary, My Dear Watson. This discusses how man is beginning to use a variety of elements that had been difficult to use up to that point, including rare earth elements. It was cool, but I’d it’d be especially interesting to someone who actually deals with such things to get a perspective from 67 years ago.

Next is the first story of the issue, Space Fear by James H. Schmitz. This was a puzzling story to me. It had so many elements that I like, but it seemed disjointed and I never really got into the flow. It’s about an agent of the Confederacy of Vega who pilots an intelligent ship fixing problems in the galaxy. That’s a fantastic start, right?

Well, the problem is that the story sends her on a number of missions all at once. The first thing is a mission to try and trap an alien race that sends ships in that are so far advanced they come into their space, look around, and then leave without hindrance.

Trapping them would have been a great story. Instead, that’s sort of the prologue. While she makes progress, more progress than anyone had before, they send her on another mission. With it’s own set of exposition. Then another.

It’s so jumbled I’ll freely admit I couldn’t really read the story well. I kept getting jarred out of it and skimming a bit until something caught my eye. I tried four times to thoroughly read it, and it’s clearly beyond me. I’ve liked Schmitz before, but this story kept dancing around at the edge of my attention, always seeming to push me away at some point.

A full space opera novelette wasted. That is, in these magazines, a true tragedy. Cut it into separate fast-paced stories and you got a tiddly little book along the lines of the Retief adventures or the novel M*A*S*H.

Next we move on to Philosophical Corps by E. B. Cole. This was Cole’s first release, and he didn’t write much more besides it. It’s too bad, because I think he had a goodly amount of talent.

A side note. This story starts off poorly in the magazine. There’s a longish excerpt from  a future book that’s pure exposition. It has two problems. One it’s longer than perhaps works for a short story. Two, and far more important, the excerpt was printed in the magazine in a smaller font. Like difficult to read smaller font.

But if you get past that you get another story that has so much potential. The Philosophical Corps are the people who go to planets where the inhabitants are low tech and have had criminals and slavers set themselves up as gods to steal their wealth and gain slaves. Not only do they have to rescue the indigenous population from the criminals, they have to do so on a way to keep the planet growing as it has without too much corrupting of its way of life.

Man, this could be an awesome series of stories. Tap-dancing through the challenge of understanding a myriad of alien civilizations while facing high-tech organized crime? If you ever see me write a book entitled E.B. Cole, PCI you’ll know it’s about a hard-boiled detective going from planet to planet fighting interstellar crime bosses trying to be gods.

Of course, you might say Stargate already did that. You’d be right. Doesn’t mean I couldn’t do it, too.

I will also say that had Cole written more of these, he would have written stronger stories. This one is good, but somewhat direct. He released a later version of this story along with two other adventures in that universe in 1962, and I expect those are all stronger.

Still, this is a B/B+ story with tons of untapped potential in the universe.

Next we come to a skillfully written story, …Of the People… by Morton Klass. Klass was an anthropologist, and not surprisingly this story deals with the study of a people. Like E.B. Cole, he didn’t write much and again, it’s a shame.

This story starts out in a strange way, taking us to a place I didn’t care for initially. Basically, it’s about the President of Earth in 1975 talking about how he earned that title starting in 1955. He’s actually an alien who, with his advanced technological and cultural was able to unify the Earth.

He was actually sent here by his race because the Galactic Federation did not know what to do with this planet. We had achieved atomic power, but had not settled down. So they put us in quarantine for a while so that they could take a look at us later before possibly exterminating us.

The species that the President comes from could not let that happen without trying to help, so they sent him. Understand that this is tripping all of my buttons, and not in a good way. I may be an idiot, but I’d rather fail trying stupid stuff than having someone swoop in and protect me from making the attempt. Let me touch the hot stove and find out it freaking hurts, if you please.

But Klass is tricky and I ended up really liking this story. You see, the President has discovered that the entire council that helps him rule the earth consists of aliens sent by worlds who have just as much empathy as his. They’re all here to help.

However, the quarantine is about to end. The Federation is likely to send them all away. Not only will they rip away this world government, but they will expose that it’s composed entirely of aliens. Yes, the flying saucers did come to control us.

The President knows he can’t allow this to happen, so he confronts the council. No matter where they came from before, he and the councilors are now from Earth. Now they have to defend it from the Federation.

That’s where the story ends, so we don’t know if they succeeded or not, which is fine. A full answer would take a novel, in my mind, and I think this is stronger by Klass letting the reader think he’s going one way and then pushing into what is clearly an oncoming train full of adventure and politics.

His technique is amazing. I don’t know that I’ve ever had a story I disliked so much at the start come right around and use my distaste like that. Here, let’s challenge your independence, then let’s make it something we can root for. Brilliant.

Next we get to Casting Office by Henderson Starke (really Kris Neville). This story has an interesting premise. Basically it’s discussing the plight of actors seeking a job, along with stagehands, directors, and the like. It becomes clear that the author is God, who has made a universe of strange physical laws and outlandish events. He wants a place to exercise his whimsy and also to retreat to so he can become happy, but he also has this idea that the story will eventually be that of overcoming great trials.

Unfortunately, ratings plummet essentially. Critics lambaste his work. Eventually the directors bring in a script doctor over the author’s vehement objections. They turn his tale of heroism over the millennia into a horror movie that panders to those viewers who want violence.

Fascinating premise indeed, but not well executed. It needed more detail and less top-down discussion, I think. For example, the story talks about the critics blasting it, but never has a paragraph that talks about specific issues. It leaves the story too vague and we’re not invested in it.

There’s a solid scene where the author is in a role as a wealthy man enjoying good food, driving on beautiful days, the company of lovely women, and fine drink. Then he’s ripped from it by the director in order to face the music from the critics. That was great. It’s the only such scene, really. Oh, there are hints here and there of odd props like millions of extra bugs for England in 1869, but there’s just not enough of this quirkiness.

After that comes Experimentum Crucis by Andrew MacDuff (E.B. Fyfe). This is a solid story with a fun twist at the end. In it we have a human visiting an alien planet that is at something like our technological level of the 1970s.

The human is there negotiating a variety of mineral and resource rights on the moons of the system. The leader of the aliens is not stupid, though, and he is wary of the negotiations. His suspicions are increased when the human finds out about a particular moon with high radiation readings and has his car salesmen tendency come to the forefront.

Basically, the alien sets it up that if the human lands on the moon, he’ll come out ahead by owning the sponsorship rights. And, if the aliens’ belief that it’s a moon made of negative matter, “there will be a beautiful flare-up to prove my claim” (p. 97).

Gotta love the bad guy getting his comeuppance.

Following is the normal In Times to Come description of what’s in the next issue. Included is one of H. Beam Piper’s Paratime stories, so I’ll look forward to unearthing that issue eventually.

Then we get High Threshold by Alan Nourse. I’ve reviewed Nourse before and I will look forward to seeing him again. He writes good stories, though not yet a great story.

This one starts out very well. While experimenting with temperatures around a thousandth of a Kelvin, researchers discover an entrance to a completely alien place. The five people that have been sent into the entrance have all died of fear. The only hint they have is a tennis ball, which went into the entrance and came out completely reversed. The fuzzy part was on the inside and the rubber on the out. The same thing happened to a pencil, which returned as a sliver of wood sheathed by graphite.

The answer they come up with is to find someone so completely able to reject earlier data and accept new data, so adaptable, that they can survive long enough for their mind to adapt.

They find someone and send her in there. She goes in and realizes what’s going on, but realizes that she cannot explain the differences to the researchers because they simply have no way to understand. Her solution is to find a newborn baby and raise it in both worlds so that it can relate both universes instinctively.

This is all good stuff. The end isn’t as strong, though. She also realizes that she is going to have to trick the researchers into letting her try the baby idea. She also knows that she can now see how to get into that universe at any time. She plays as if she’s insane, and then escapes through the dimensions.

I sort of felt unsatisfied, almost as if I’d ordered chicken fried steak and there was no actual steak inside the breading. The breading, gravy, and mashed potatoes all tasted good, but it was missing the substance. Maybe the story should have been longer. Maybe a completely different twist that I’m not thinking of. I don’t know. Still, it should be noted I was sucked in reading this story and it is only at the end that I realized I wasn’t satisfied.

Next, in a half-page blank area, Campbell talks about what he looks for in the letters that he’ll respond to in the Brass Tacks section. He’s looking for things that are broad and general and will have some connection to the majority who read Astounding.

One wonders how many times he was nagged for not putting up a convention announcement for Wecanhandle50peopletotalacon or letters announcing someone has a cool pet rock for sale.

The next story is Protected Species by E.B. Fyfe writing under his own name this time. This is an oft-published story, meaning a bunch of readers liked it. I’m one of them.

It’s about surveyors and xenoarchaeologists on a nearby planet studying ruins of a long-dead alien civilization. The ruins show advanced technology, but also damage from explosions and war instead of earthquakes and natural disasters. There is no evidence that the people who made those ruins exist anymore, except perhaps a species that might have devolved from intelligence in the wake of wars.

The species provides some of the workers with a bit sport. They’re fast and hard to catch, and there’s not much else to do on the planet and their morale is generally fairly low. Then an inspector comes to look at their progress. He sees these hunts and he is bothered by them, especially with the likelihood that they are intelligent, even if devolved.

So he arranges to have them named a protected species, preventing future hunts. After so doing, he takes one last pass around the ruins, going specifically to a place where he had run into one of the natives, which had prompted his work to name them protected.

There, another native awaits him. Instead of running, or throwing rocks, or anything likes that, he greets the inspector by name. Apparently they have been watching this world for some time. His job is to watch for the revival of the original species on this world, and he is quite pleased to see the inspector name the species on this world protected. For, after all, that is what they actually did for humans after destroying this world humans inhabited. He’s very happy to see us finally returning to the stars. Perhaps, soon, we won’t be a protected species ourselves.

Fun twist, and an excellent job of twisting our humanocentric point of view against us. That’s two stories by Fyfe in this issue, and both are good to very good with good twists. I’ll keep an eye out for him.

Next is an article Notes on Nuclear Radiation by Edwin N. Kaufman. He didn’t write much for any SF magazine. He appears to have been an aeronautical researcher for Douglas and Lockheed, but I can find little more about him.

Anyway, like Campbell’s editorial to open this issue, I found this article moderately interesting, but obviously outdated. Again, i think this might be fascinating to someone in that field and interested in its history.

Jack Williamson is next with The Man from Outside. Williamson is one of the great fathers of SF of course, and I him a lot. I would expect a sizable fraction of you readers know he’s the guy who coined “Terraforming” but I had not realized until reading up on him today.

Anyway, this story is about an alien unit dedicated to watch Earth and ensure that its society is not corrupted by other aliens. The commander of the unit is hard, harsh man. A fresh idealistic lieutenant comes to him and asks to involve himself in the world below. The commander refuses. The lieutenant persists, finally convincing the commander something must be done, but the commander stalls and delays. Then, before the mission is done, he brings the lieutenant back.

The lieutenant is anguished. He wants to help some dissidents kill Stalin, who he realizes only exists because of outside contamination and who is an abomination. The commander stops him, and the dissidents are destroyed because they make a mistake designing a fusion bomb.

In the ensuing exchange, we discover that the outside influence that allowed Stalin to exist is the commander in his youth, as an idealistic lieutenant. He met Lenin, was impressed, and let slip some advanced knowledge about revolutions and the like, allowing for the Soviet Union and now Stalin.

He has stayed on this post during the decades since. He has refused promotion above his current grade and re-assignment to a better station. He knows what he’s done and his atonement is to remain here and prevent a re-occurrence. Now, because of the idealistic lieutenant’s actions, the balance is endangered. The lieutenant must now take up the commander’s mantle and “watch against the sort of men we used to be” (p. 143)

Where should duty and idealism meet? What’s the balance. It’s a tough question because unintended consequences are always lying in wait. Great story.

Next is P. Schuyler Miller’s book reviews of the month. Among this set are books by Heinlein, Merril, Lieber, and more. Imagine getting paid to read those guys.

Last is Brass Tacks, the letters to the editor. There’s a lot of discussion about previous letters in this issue. Sort of like a monthly opportunity to reply on Twitter. The only difference is that the responses here are well-written with thought behind their premise.

The one topic I think remains relevant is the discussion of what language should an author use in SF/F. It’s a tough one sometimes, and I try to strike a balance. Language in another world would be completely different with different foundations. We would all have to be linguists to understand them.

Obviously, this is what Tolkien did. Yet he knew he could not write a tale in Elvish. He was also aware that the common speech was not English. He put enough of the other language in to give the flavor of Sindarin or Quenya or whatever. I think that is what we must do to give the taste of an alien or fantasy world.

But there’s a balance, and I’m not sure I’ve achieved it. I will occasionally perform Old English poetry, usually the Wanderer or Beowulf. Mostly, I do this in modern English, but I regularly insert a few lines here and there of Old English to let the sound resonate.

It’s a tough thing to accurately re-create a medieval performer. On the one hand, they had to connect with the audience so they could make money or have a place to sleep and eat. On the other, a true performance should be in the original language, but little else sends an audience away than reciting poetry in a language they don’t understand. Might be better to recite Vogon poetry. Flipping languages back and forth is my best compromise.

I don’t know if I have the answers, but it’s something I dwell on probably too often. If the language takes me out of the moment, then I know it’ll take some readers out, too. My problem is that I also know I use words that flow with me, but not with others. It’s a challenge, and no doubting.

Anyway, overall this was a grade B issue. All the stories were quality, even if I didn’t like the execution or some other quibble. There weren’t instant classics to me, but still I’ll reread a few of these someday.

Next week I’ll review the Analog from February, 1963. This one looks promising with a Gordon Dickson and H. Beam Piper.

Next Week’s Issue: http://www.isfdb.org/cgi-bin/pl.cgi?56747


If you have any comments or would like to request I keep my eyes open for a specific issue or month, feel free to comment here or send an email to me at: rob@robhowell.org.

If you want to see previous reviews, the Mag Review category is here: https://robhowell.org/blog/?cat=432.

Have a great day.

Rob Howell

Mag Review: Galaxy (December, 1961)

Greetings all

This week I’m reading through the Galaxy, Vol. 20, No. 2, of December, 1961. It’s got a story by Poul Anderson that I’m looking forward to, and I always wonder what Willy Ley had to say. Also of note is that Frederik Pohl is the editor, and of course I always think of him as a writer. I loved the Heechee series.

As I grabbed the links for Pohl and the Heechee series, I noticed that Gateway was also originally published in Galaxy starting in November of 1976. That issue was edited by Jim Baen. Ah, the fascinating trail of science fiction publishing.

Galaxy (December, 1961)
Cover of Galaxy (December, 1961)

Table of Contents: http://www.isfdb.org/cgi-bin/pl.cgi?58679

Anyway, the initial editorial is by Pohl. It’s a fun one about the size of the galaxy and the possibility of alien life. Also, he talks about some planetary conjunctions.

There are all sorts of time capsule moments when reading these books and Pohl provides one. He says that Jupiter is “monarch of more than a dozen moons. (p. 7)” Right now we know of 79 moons around Jupiter. Yep, that’s definitely more than a dozen.

The issue’s first story is The Day After Doomsday by Poul Anderson. The story begins with a starship returning after a three-year mission to find the Earth destroyed. Carl Donnan is the one man who keeps his head, barely, and he tries to lead the 300 men of the ship’s crew to find those who killed his world and maybe even find some of humanity’s other spaceships. If he gets dead lucky he can find one with women on it and humanity can survive.

The story is fantastic. I’d be on pins and needles waiting for the next issue to show up in my mailbox. There are a couple of data dumps, but the rest of it is fast-paced and full of action. Aliens and politics. Ship battles. A mystery. Clues hidden here and there. And the possibility of answers more deadly than the crimes.

Fun stuff. I’m looking forward to the conclusion.

Next we have Miriam Allen deFord’s Oh, Rats. DeFord is not an author I’ve read before, though she wrote in both of my two favorite fictional areas, SF/F and mystery.

This is a twist on the Flowers for Algernon idea. SK540 is a super-rat engineered in a lab. Unfortunately, the engineering was too successful. He understands what is going on, leads an escape from the lab of his choice of the other rats, and then takes them to the house of one of the scientists.

Then he leads a fairly diabolical campaign against the scientist and his wife. He tricks them into befriending him and keeping him secret for the moment. Then he reveals that he has impregnated two other lab rats and the scientist realizes that it’s a war.

But he realizes it too late. SK540 has used rat poison (nice irony from deFord there) to kill the scientist and his wife. The story ends with the note that it’s the tale of the founder of their race and the end of humans.

This is a great story in many ways. I love the twist at the end. Yet, I’ve sat here for a bit to figure out why I detest it and I think I have the answer. SK540 wins because the wife recognizes him as a person and treats him nicely. I don’t like characters that take advantage of people being nice, so I simply can’t want him to win, not that way.

However, despite my dislike of the result, I can’t help but admire the quality of the work.

We move on to Willy Ley’s monthly essay. This one focuses on Dragons and Hot Air Balloons. In it, he talks about the possibility that the Chinese candle balloons are ancient. His argument is that they are not because Western travelers would have spoken about them prior to the 18th-century. I’m not sure I buy his argument completely, but that’s mostly because I wonder what research has occurred since 1961. He talks about the possibility that dragon banners might have been early balloons, but dismisses that too. He does so based on weight/volume ratio of the long tail.

His last segment discusses some of the biggest guns in history. He details the ones we know of and if they fired. Interesting stuff.

Then we move to Joy Leache’s Satisfaction Guaranteed. I don’t know much about her. She only had three stories published and I can’t find much about her on the internet.

This is a cute little story that where an account administrator from a promotions company is sent to a small planet to figure out something it can export so it can join the Galactic Empire. They have to have something they can contribute before getting accepted.

The problem is they have no resources. They aren’t artists. Their planet isn’t terribly attractive. As a species, the Felicians are attractive. They look like leprechauns, and they could get by setting up a tourist industry to take advantage of that. However, that would be demeaning and likely to lead to their extinction.

The get the promoter drunk, and while he’s drunk his steno, the real hero of the story, manages to figure out that the Felicians are excellent cobblers. So they set up a method to sell the shoes and it seems like the problem is at an end.

However, the Felician shoes don’t wear out and they only produce one style per species. Any others would be inefficient and demeaning for the leprechauns. That means the sales dry up within a few years.

So they go back to Felix to figure out a new plan. While there, the steno breaks a tooth. The Felicians don’t have teeth, ergo no dentists, so she has to go elsewhere. When she comes back she realizes that the Felicians, with their small size and skilled, dexterous fingers, would make excellent dentists.

It’s a cute story, but limited. It’s the kind of thing that suggests a promising author-in-training. Unfortunately, the was Leache’s last published story that I know of. Too bad.

Next is Algis Budrys’s Wall of Crystal, Eye of Night. All I can say is wow! This was an amazing story about a media mogul getting to the top of the heap, so he thinks. However, his rival has gotten advanced tech from the ancient and dying Martian race to ruin him.

The tech essentially creates a sort of virtual reality, but with less on the virtual and more on the reality. It allows someone to essentially program a person’s future within broad guidelines. In this case, the mogul’s rival curses him with an adventure that will end with sorrow and pain.

Much of the story is the mogul trying to escape this doom. He kills his rival, sort of. However, the Martian tech keeps him alive as a sort of zombie to follow the mogul and push him into wilder and wilder bad decisions. To ruin his life. Very Shakespearean.

The Martian tech succeeds and the mogul dies at the end of the story. However, he leaves behind the seeds of his revenge by using the tech on the guild agent who eventually kills him. These agents are surgically altered to make incorruptible by removing their ability to feel, or taste, or enjoy much of anything. It’s sort of like a Blade Runner thing where they are changed into replicants and can’t ever go back to being human.

The mogul’s revenge is to change this one back. Suddenly, he can feel centuries of things he’s seen and done. And now he goes back to get his vengeance and the mogul’s.

Fantastic. Would make a great movie. And, as you can see from the ISFDB, it’s been republished a number of times. Find it if you can.

To fill out the final page of Wall of Crystal, there’s an ad for one of those book clubs. I could get 6 books for $2, including stuff from Asimov, Leinster, Farmer, Anderson, Aldiss, van Vogt, and a bunch of others. Here, take my money.

The next story is Rainbird by R.A. Lafferty. Lafferty’s an inventive writer, and this is a good example.

“Inventive” jumped to mind as this story is about an inventor who is greater than da Vinci. At the end of his life, he laments about all the things he meant to improve but never did. He has done amazing things, like wiring Philadelphia for electricity in 1799, but there’s some much else to do. So, he invents a time machine and goes back to himself while his younger self was hawking.

He lays out to his younger self a huge amount of information, to which that version of himself listens intently. The younger version puts away the joys of hawks and falcons, and invents at an incredible pace. Even gets us to Mars by 1830. However, when he is 85, he curses himself for being an idiot as he has never quite gotten around to corporeal immortality. He decides to go back to yet another younger version and impress upon him the importance of immortality to allow him to achieve all that he wants and needs to.

But this younger version is distracted by the hawk and the falcon and the joys of life. Now he is remembered for a number of useful things like a safer nutmeg grater and better wedge for splitting logs. And this one never figures out the time machine and never can do anything about all the things he meant to do someday.

Very good story, but with a limitation. It’s oddly structured in that it is almost pure exposition. This structure works, though, and you get caught up into it. It needs more of the main character doing, though, to become great.

Next we get to Floyd C. Gale’s review section. The most interesting review is that of The Science Fictional Sherlock Holmes. As far as I can tell, it’s the first SF version of Holmes and includes authors like Gordon R. Dickson, Poul Anderson, and H. Beam Piper.

I had never heard of this anthology before, and it’s no wonder. It’s not published anymore, and the only places I found it was ABEBooks where I could get it for $75 or $150. No Amazon or ebook.

I’m not a huge collector of things, but this may just happen anyway.

The next story is An Old Fashioned Bird Christmas by Margaret St. Clair. St. Clair is another author I haven’t been exposed to much, which is too bad. She’s an interesting person and writer.

But I don’t think this was her best story. She was Wiccan, and this story is a melange of Christian, Norse, Wiccan, Zoroastrian, Native American, and other mythologies combined with an evil time traveling company from 3000 AD fighting over when and how to use electricity.

The main character is a reverend who wants to return to simpler, more traditional Christmas’s. One way to do that is to avoid using electric lights and rely on candles, firelight, etc. His wife is beautiful, but she was a spy implanted by the electric company to get him to stop preaching against using electrical lights after dark.

If that all seems complex, it is, and the melange has too many elements. She loves Easter Eggs, and I’ll bet most of what’s in here exists because “So-and-so will love this!” I’m not unfamiliar with the vast majority of the mythology she uses, but it whizzes by so fast I can’t quite connect all the pieces together to make the story really work for me.

I’m also not entirely fond of the ending. In the end, he wins, and a great beings says, “You want an old-time Christmas, you can have it.” The last scene is the reverend, now converted to a Druid, getting ready to sacrifice a number of Christians in honor of the winter solstice. The main character, who is a good man that you root for, then becomes evil. I love endings that aren’t happy.

Had he been the Christian sacrificed and faced his ending with pride and honor, I’d have loved it. He’d have won, though he’d have died. In this case, he’s corrupted into evil through no fault of his own, only the great evil deus ex machina making him murderous. That’s too heavy-handed for me to enjoy.

Next we get to The Watery Wonders of Captain Nemo by Theodore L. Thomas. This is actually a long form review of 20,000 Leagues Under the SeaThomas’s main criticism is that Jules Verne’s science is awful. He didn’t look for the technology given the submarine advances that had already been made when he wrote the story in 1870. He didn’t double-check the viability of the scientific-sounding things he says in the novel. Furthermore, we may think he advanced submarine science with his ideas, but Thomas points out that what readers think is there is not, actually, there. Batteries for the Nautilus, for example.

However, Thomas loves the way Verne tells stories. He might have missed some tech that was available to him, but he captures us in such a way that even an expert glosses over things. He calls it “non-science,” though a good story.

The last story is William W. Stuart’s The Little Man Who Wasn’t Quite. I don’t know anything about Stuart and there’s not much to find about him. I will say I wish he’d written more.

This story is about a guy who pulled himself up from the gutter, but he goes back from time to time to remind himself what he once was. While there, he meets two men, one large and obvious, and the other so withdrawn as to be almost invisible.

Turns out the withdrawn man is sliding from this universe to the next. He’s not really a part of this place, and this place is not really a part of him. That means that only people who are out of touch of this place, like those on skid row, can even see him. The main character can only see him when he’s visiting skid row, but not when he’s back at his job and real life with a newspaper.

The withdrawn man leaves, saying he’s found some other friends, so he disappears. He comes back to introduce his friend and the friend is terrifying. He has a form that seems to embody a sort of Platonic Ideal of the viewer’s greatest terror. Spiders, snakes, heights, whatever.

The terrifying creature says that’s the way it always goes and the withdrawn man promises to come back with more of them. The main character and the large man hope that the withdrawn man is so connected to the large man that if he cannot connect to the large man, he can’t get back. So the main character helps the large man succeed in society and escape skid row, where the terror lies.

Great story that catches you almost immediately even though there’s not much action, just a vague hint that yanks at your curiosity for a time until you can’t get away.

This was a very good issue. The worst story might simply be the worst because of my taste, and others might find it excellent. To me, that’s a great compliment for magazine.

Next Week’s Issue:  Astounding Science Fiction of March 1961.


If you have any comments or would like to request I keep my eyes open for a specific issue or month, feel free to comment here or send an email to me at: rob@robhowell.org.

If you want to see previous reviews, the Mag Review category is here: https://robhowell.org/blog/?cat=432.

Have a great day.

Rob Howell

Interview: Jamie Ibson

Greetings all

I am continuing Four Horsetober with Jamie Ibson. Most of you will know him as the boss of 4HU – The Merc Guild Facebook group, but he’s also a writer and will be in Luck Is Not a Factor, the second Lyon’s Den Anthology in the Four Horsemen Universe. Take a look at another writer that Chris Kennedy has fostered.

Interview: Jamie Ibson
Jamie Ibson
Jamie Ibson

What is your quest?

I’m right at the beginning of what may eventually become a career, so getting published is my main story quest. I have a non-sci-fi story out with Supervisive, my 4HU story “The Human Inside”, and a story in next year’s Freehold anthology called “Cry Havoc” about the FMF leopard handlers.

Influences include all the usual Baeniacs, Mad Mike, The ILOH, Oh John Ringo No, David Weber, David Drake, books I found on my dad’s bookshelf like Robert Heinlein, Isaac Asimov, Joe Haldeman, Spider Robinson, Gordon R Dickson, as well as the next generation of up-and-coming authors like Kacey Ezell, Jason Cordova, Chris Smith and Mike Massa. My horizons were broadly expanded when I discovered the Four Horsemen series at LibertyCon 30. They say if you want to write you need to read. I read a lot.

What is your favorite color?

I like stories that get you out of the normal human perspective. Some of my favorite 4HU stories are the ones where the aliens are front and center. (Kacey does alien Very Very Well) so in my leopard story, I have parts where the narrative shifts from 3rd person limited to 1st person present and the cat tells the story. My current project, I’m doing full-conversion cyborgs and I try to imagine how alien it would be to have your entire interaction with the world be done through artificial/constructed means.

What is the average flying speed of an unladen paint brush?

I write too much dialogue and have to find ways to show action rather than rely on conversation.

I have a fantasy short meant to be an intro to a setting I put together but it has not been accepted yet for publication. The last response I got was that there was too much slang (I didn’t think I used hardly any slang), and that it tried to squish too much world into too short a story, which was the opposite of what I’d been told elsewhere. But I recall that one of my favorite Freehold stories, The Humans Call It Duty, was rejected multiple times before it was finally published, so maybe it’s just not the right time.

That, perhaps, is the biggest lesson I’ve learned in writing, is being patient. Things take time. (Rob’s Note: So true!)

What are the powers of your personal Holy Hand Grenade? 

Somewhere along the way, a certain retired Navy SEAL declared that I was the Loremaster with regards to several of my favorite series and I’m rather honored to be called that. I think when writing in someone else’s universe it is vital to get the details and fiddly bits consistent. When I first talked to Mad Mike about what eventually became Cry Havoc, I made a point to review as much as I could on what Freehold had to say about the leopards and the handler program. Somewhere along the way I ended up writing a series bible for Mike which we’ve made available for everyone else writing in the anthology. I’ve been approached by others to give their universe a similar treatment so it can be opened up to a broader writing crowd, or I’ve been asked how I do what I do. (Notes, painstaking notes and multiple rereads!) So when I write in someone else’s universe, I try to keep a very clear idea on “What is canon” vs “Where can I expand” and ensure nothing I write conflicts with established lore. You only have to look at what happens to a series that becomes a show or movie to see whether it is accepted or rejected by fandom, based on how closely it remains true to the original. (I’m looking at you, Starship Troopers).

Lightning Round

  • Favorite Muppet? Pepe
  • Crunchy or Creamy? Crunchy
  • Favorite Sports Team? Olympic Hockey Team Canada. I pretty much ignore everything else. (Rob’s Note: This is where I get to make a gratuitous note about watching the 1980 Miracle on Ice on a 12-inch black-and-white TV)
  • Cake or Pie? Cookie dough ice cream cake
  • Lime or Lemon? Lemon
  • Favorite Chip Dip?  7 layer but no olives
  • Wet or Dry? Umm
  • Favorite Musical Performer We’ve Never Heard Of? If you’ve seen my 4HU music playlist you will have seen Leo Morrachiolli. Norwegian metal cover god. Sultans of Swing and Feel Good Inc are always good, and then there’s 230+ more tunes to pick from. Seriously, the dude’s a machine. (Rob’s Note: And he makes the most amazing facial expressions)
  • Whisky or Whiskey? Please.
  • Favorite Superhero? Canadian ones, obviously, that may not be as well known as the Avengers, like Wolverine and Deadpool, for example.
  • Steak Temperature? I’m going to be a heretic and admit I prefer burgers over steak. But if steak is what is being served, medium rare.
  • Favorite 1970s TV show? Heh, sweet, it counts. Dukes of Hazzard started in 1979 so… yep.
  • Winter, Spring, Summer, or Fall? Spring
  • Favorite Pet? I love all my cats, past and present, but Naomi is our house panther who has declared me chief of staff.
  • Best Game Ever? Fantasy: The Witcher III. Sci Fi, Horizon Zero Dawn.
  • Coffee or Tea? Razzleberry Iced Tea.
  • Sci-Fi or Fantasy? Sci fi.

What question(s) would you like to ask me? 

Best place to learn to write/code wikis?

Rob’s Answer: Honestly, they’re not difficult. The most difficult thing to learn is the CSS coding to set up the main stuff. Wiki coding is mostly set up to use toolbars, and there are plenty of references.

They are like much else, though in that they become easier and quicker with practice. It takes time to think about what the most effective way to organize it, like what categories you’ll have and such.

Two things I suggest, though. First, download Editpad Lite. It’s my favorite text editor and you need a good one. If you already have one you know well, stay with it, but if not, Editpad is great. Second, as you’re editing create yourself a set of snippets. My philosophy of wiki editing is that it is better if you can standardize as much as possible. Similar things should be displayed in similar fashion as it will help the reader. Unlike writing prose, where you want to vary your word choice, consistency is useful in this context. Snippets help.

Tell me again where we can find your stuff? 

  • My forthcoming 4HU story will be in Luck Is Not A Factor.
  • “Cry Havoc” due 2019 sometime.
  • Priorities via Superversive Press in To Be Men.

And where can we find you?

I’m north of the PNW so look for me at LibertyCon once a year (until I convince America to let me immigrate).

Do you have a creator biography?

Hey, I’m Jamie. Thanks for checking out my page. I’m Canadian, born and raised in Ontario and now on the left coast. Spent some time in the CF reserves and went on a peacekeeping mission when I finished highschool. Now I’m in law enforcement and write in my spare time. I’m married to the lovely Michelle, and we have cats.


Thanks to Jamie Ibson for taking the time to answer my questions.

If you have any suggestions or comments about this interview format, let me know so I can keep tweaking it.

Also, thanks to you for reading. If you’re interested in any of the other interviews I’ve done, you can find them all here: https://robhowell.org/blog/?cat=326. If you are a creator, especially an independent creator, and you want to be spotlighted in a future interview, email me at rob@robhowell.org.

Finally, if you want to join my mailing list, where I’ll announce every interview, as well as what’s going on in my life, go to www.robhowell.org and fill out the form (Name and Email Address) or drop me an email and I’ll add you.

Have a great day.

Rob Howell