Tag Archives: Toni Weisskopf

LibertyCon 2019 AAR

Greetings all

I’m in Rocky Mount, NC visiting relatives after another fantastic LibertyCon. As always, so much happened that I’ll forget things. It’s the way of cons in general and LibertyCon in particular. I float from awesome thing to awesome thing without enough time to process stuff properly, but I wouldn’t have it any other way.

This year, as I’ve mentioned, LibertyCon faced some of the greatest challenges any con has ever faced. Their hotel crapped out on them. The Read House in Chattanooga might be pretty, but they burned some bridges here. A hotel breaking a contract is no big thing, I had it happen to me, and NeoCon in Wichita ended because of it. I had to tell some relative unknown named David Weber that we had to cancel the con and not have him as Guest of Honor. The fact that LibertyCon rolled with it and made it work, especially in the time frame they had is amazing to me.

That is, of course, a credit to the incredible staff, both in their skill and stability. There will come a time when Brandy, Rich, Donnie, Matthew, Vonn, Fritz, and all the rest are not LibertyCon’s spark plugs, but it is not this day! It is one of my favorite aspects of LibertyCon that they are so competent at their jobs, which allowed them to handle this year so smoothly from the perspective of those attending the con. Thanks to all of them and their staff.

That staff is a testimony to the foundations laid by Uncle Timmy. I have talked about him before, but the best tribute is 32 years and going strong of the best SF/F con I’ve ever seen. Honestly, I was a lot less emotional at the con than I expected. I thought about him quite a bit, though I was never terribly close to him, but I was rarely sad. Sad he wasn’t there, of course, but the truth is I was reveling in his creation too much to be sad. Not a bad legacy to have.

I will note, I’m crying while writing this. When I cry at Brewbaker’s, the staff there isn’t surprised or worried. I’m usually killing a character that I like, so that’s alright then. The waitress here at this random bar is probably worried about me. Hopefully, she’s just remember me as a random weirdo.

Speaking of parents, my mom joined me on this trip. She loved LibertyCon too. At Closing Ceremonies, when Brandy announced the dates for membership sales, mom told me to get her one and that was before Linda Bolgeo, among others, taught her to play Yahtzee at the dead dog party and she lasted longer than I did. Yes, Fritz, you’re right: “Rob’s mom sucks less than he does.”

Side note: Fritz, you made me laugh with this, which is just as well as you made me cry for the other.

The weekend started with getting together on Thursday night. This will shock people, but we closed the bar. It’s always great to get together and catch up, especially after such a productive year for all of us.

Side note, we’re not the Inklings, but the writing crew Chris Kennedy has gathered into his orbit is talented and hard-working. We’re doing great stuff already, and the future looks bright. Tons of stuff planned, announced, and plotted at LibertyCon. I’m honored to be a part of this.

The con started with those of us in the Four Horsemen Universe talking about the future of the 4HU. The Omega War series concluded with Alabaster Noon, and there was concern that this meant the 4HU was slowing down. To the contrary, the Omega War, despite its name, is only the second of five main-line series being plotted right now. That does not include side novels like The Feeding of Sorrows and a slew of other projects. The 4HU ain’t going away now. I’d be shocked if the eventual corpus of the 4HU is less than 100 novels plus anthologies, games, and whatever else. We’re at 35 and growing now.

Next was a panel on the contact between history, historical fiction, and fantasy. The best part of this con was chatting with David P. Coe, who is a very smart man and excellent writer.

I mentioned there wasn’t as much emotion as I expected about Timmy at LibertyCon, but Opening Ceremonies was one of two places where it was greatest. Gray Rinehart sang a new filk about Timmy, making Brandy cry. Then, Christopher Woods, looking bewildered, was drug up on the stage by Toni Weisskopf to announce a new anthology tuckerizing all of LibertyCon in honor of Timmy that will include a bunch of big names. The proceeds will go to both LibertyCon and a scholarship to the Tennessee Valley Interstellar Workshop. Really cool, and it’s great to see good things happen to Chris.

My autograph session at 7pm went well, as I got a chance to chat with a few people and even sold a book or two. That’s what such a session is there for, and they are also one of the few times I can actually talk for a bit with a fan instead of the usual go-go-go. That’s so nice.

Then I did a reading with Theresa Howard at 9pm. Readings are fun, but sadly, 9pmm readings don’t tend to get many viewers. Probably just as well, because I don’t like the selection I made from The Feeding of Sorrows. Not enough action. I’ll pick a better choice next time.

I intended, at that point, to make it an early night. Narrator: “He did not make it an early night.” We got into a long discussion that turned into revelry at the bar. Closed it down again. I knew I wasn’t closing down the bar on Saturday, though…

Saturday started with a number of logistical things for the party, plus getting a bunch of old computer equipment to Gerry Martin. He has found ways to take all the old stuff, refurbish it, and provide it to a variety of users. Plus, it got boxes of stuff out of my house.

The banquet was the other moment of big emotion about Uncle Timmy, especially Arlen Andrews’ speech. It was also a great time for my mom, which I really enjoyed.

At 4pm, Chris Kennedy hosted his year ahead. He might have to do it in two hours next year, as he has so much going on. I got to announce the sequel to The Feeding of Sorrows, When Need Shall Arise. I’m aiming to have it out around FantaSci next year.

At 6pm, I had an Author’s Alley time. This, too, went really well I thought. I would have done really well if I could have had a solid block of three hours, but there simply wasn’t time this year.

And that’s because of the Rob Howell/Chris Kennedy Publishing Party. This was, again, a rollicking success. We lasted past 3:30am. We went late enough that the bartenders were able to close the bar and come join us for a bit. Technically, we did *not* close the bar. Technically.

It’s become such a success we’re looking at getting more square footage as we’re just doing too well. Plans are afoot to make it even more fun next year.

Sadly, that meant when 9:30am rolled around and I theoretically had to get down to Author’s Alley at 10, I simply rolled over and got another hour or so of sleep. Sorry, not sorry. Will plan better next year.

I concluded my panels with a fun one called: Pantsing for Beginners. If you’ve never heard the term, Pantsing is “writing by the seat of your pants.” In other words, not plotting ahead of time. This ended up as a pretty good two-hour panel including Rich Weyand and Stephanie Osborn.

We left that to get to Closing Ceremonies, where Brandy announced the 2020 dates, 12-14 June. Then we went to meat fest at Rodizio’s, which wasn’t as organized this year because the restaurant didn’t respond to Gerry. Ah well, we ate meat. Lots of meat.

Last year I checked out of the dead dog party early. I almost did so again, but I caught a second wind and lasted until 11:30. Mom lasted until midnight. I had a great time chatting with Bubba of Bubba Truck fame and a bunch of others.

LibertyCon was, as usual, fruitful in all the ways. I have a number of new irons in the fire. While I don’t have many details at this time, suffice to say, I’ve got a bunch of new projects to work on. And that means, at LibertyCon 2020, I’ll just have to make new plans.

So thanks to Brandy and everyone running the con. Thanks to Mark and Chris for the 4HU. Thanks to the fans that are keeping The Feeding of Sorrows at number two new release in Action and Adventure. Thanks to all I hung out with at LibertyCon. And thanks to all who’ve supported me over the past few years. I’ll keep trying to get better.

Now, to go work on None Call Me Mother.

 

Interview: Kevin Ikenberry

If you’re a fan of the Four Horsemen Universe, and I bet many of you are, then you’ve had the pleasure of reading Kevin Ikenberry’s contributions to that universe. He’s a fantastic writer. He’s also a fun guy to chat with at conventions.

Interview: Kevin Ikenberry
Kevin Ikenberry
Kevin Ikenberry

What is your quest?

To seek the…wait a minute. I’ve seen this movie! The whole writing thing came around fairly late in life for me. I’d been told I was a good writer in high school and college, but I never really did anything serious (trying to get published) until 2009. I’ve always been drawn to science fiction – as a young Army officer two different books found their way into my hands: The Forever War by Joe Haldeman and Starship Troopers by Robert Heinlein. They were two huge influences on me and I eagerly passed them on to cadets when I had the opportunity to teach ROTC about ten years ago. When I started writing, I wanted to write stories about human beings finding their place in the universe and fighting for the right to survive and explore. I’m thrilled that I’ve been able to do that with both The Protocol War series and especially the Peacemaker books in the Four Horsemen Universe. Working with Chris Kennedy, Mark Wandrey, Kacey Ezell, and Marisa Wolf has been an amazing experience and I’m honored to be a core author for the series.

What is your favorite color?

The thing that changed my writing career, in a very literal sense, was learning the key between story structure and character development. There are dozens of story structures out there, some following classic approaches like The Hero’s Journey and others following screenwriting theory (Save The Cat, My Story Can Beat Up Your Story). Those structures are great, but without very clearly defined characters and their goals, a structure can only get you so far. The difference in understanding that relationship and applying some screenwriting theory was that the very first book I ever wrote (now published as Runs In The Family) took me a year and a half to write and it was a mess. The second book I wrote (my debut novel Sleeper Protocol) took me seven weeks. Since then, I’ve been able to keep my first draft timeline to around three months from start to finish. It’s a tremendous process and something I teach often at writing conferences.

Granted, I do a lot of pre-writing (plotting, scheming, etc.) but when it’s time to sit down and write a book, I have a solid idea of where everything is going and that saves time and mental gymnastics in the middle of a manuscript when, as a writer, I think everything sucks. That light at the end of the tunnel isn’t a train and when I get the draft out of my head I can do the next part – fix it. That’s much easier with a detailed plan.

What is the average flying speed of an unladen paint brush?

The biggest challenge I faced as a starting writer was staying positive. Rejections are part and parcel of this business, and there were several times that I wrote stories that were good stories in the eyes of my initial readers, contest judges, and my critique partners only to be rejected. The frustration wasn’t that I’d been rejected, there was frustration in understanding that just because one editor/magazine/market didn’t like the story didn’t mean it wouldn’t sell elsewhere. The first time that happened, I walked around in disbelief for a few hours. Now, a rejection doesn’t bother me. I package the story up, file it away in my virtual footlocker, and move on to the next project. One day, that story will find a home.

From a creative failure standpoint, I very stupidly tried to self-publish Runs In The Family in 2013 when neither the manuscript, nor myself, was ready. I had oodles of problems with creating the correct file types and I didn’t do the due diligence to really make that book what it should have been. It lasted online maybe a week before I took it down, which proved to be the best thing for it. It was picked up by a small press called Strigidae Publishing and when it released in 2016, it went gangbusters for eight months until the small press closed unexpectedly. Fortunately, Chris Kennedy’s Theogony Publishing Imprint picked up the book and re-released it in 2018 where it has continued to do well and even is now available on the Baen Book’s website. What I learned was that this publishing thing takes a team. I have a team of readers now. I have a website team. I have a marketing team. I have a creative team. I have a team that goes out for beers or whiskey. Don’t get me wrong, these are the same folks in many cases. I learned that we creators have to stick together. That’s another huge benefit of working in the Four Horsemen Universe. I have a band of brothers and sisters there that I wouldn’t trade for anything.

What are the powers of your personal Holy Hand Grenade?

Writing in someone else’s universe is pretty challenging. I had the chance to write some licensed short fiction in the G.I.JOE: A Real American Hero universe on Kindle Worlds before it shuttered this year, and that was the first time I stepped into someone else’s playground. I found it challenging and a lot of fun. Little did I know that it prepared me to take the Four Horsemen Universe “bible” and write a short story for the anthology A Fistful of Credits that led to the Peacemaker novels. Granted, I don’t always get the details right and Mark/Chris edit and chastise me endlessly, but I’ve enjoyed getting to play in the 4HU and feel like I’ve made a solid impact on the overall storyline with Jessica’s story. I recently wrote a modern-day thriller with my friend Nick Thacker in his universe, too which was a fantastic learning experience.

Aside from my books, I’m most proud of three short stories in three different anthologies because they were three unique experiences. In Extreme Planets, I wrote a story called “Maelstrom” in two days over my lunch hour because I had an old idea (guy jumping into a tornado in one of those “flying squirrel” suits) merge with the concept of exploring an exoplanet. For the anthology Dragon Writers, I took the theme to an extreme and did a re-telling of Puff The Magic Dragon where Puff was an exospheric EB-77 Dragon bomber with a callsign of Puff Zero Alpha. I didn’t think “Salvation, On Painted Wings” had a chance until the editor called. Finally, for the recent anthology Avatar Dreams, I was sitting with my friend and mentor Kevin J. Anderson when he looked at me and said he needed a story in two weeks. Could I do it? I gave him “That Others May Live” in a week and he loved it. All my crazy ideas eventually come to fruition and some push the boundaries – and I know now that I can do them quickly if I need to – that’s a huge confidence boost.

Lightning Round

  • Favorite Muppet? Kermit
  • Crunchy or Creamy? Crunchy. Extra Crunchy if you please.
  • Favorite Sports Team? College: Mississippi State (Rob’s Note: Moe Cowbell!!!!) / Professional: I still pull for the Cubs and the Braves – my mom would be proud.
  • Cake or Pie? Pie
  • Lime or Lemon? Limon? Wasn’t that a thing in the 80s?
  • Favorite Chip Dip?  Guacamole
  • Wet or Dry? Wet
  • Favorite Musical Performer We’ve Never Heard Of? Jeremy Kay
  • Whisky or Whiskey? Whiskey – I’m from Tennessee, you know.
  • Favorite Superhero? Iron Man
  • Steak Temperature? Medium Rare
  • Favorite 1970s TV show? CHiPs, Dukes of Hazzard, Emergency
  • Winter, Spring, Summer, or Fall? Fall – I miss fall in East Tennessee particularly.
  • Favorite Pet?  My dog when I was growing up. We named him Shandy. He was an American Spitz that never met a dog he didn’t know he could whoop. I miss that feisty little bastard.
  • Best Game Ever? Cards Against Humanity. I’ve never made it through a game without my stomach hurting from laughing. I’m fairly certain there’s a handbasket with my name on it.
  • Coffee or Tea? Coffee, with a touch of creamer. No sugar.
  • Sci-Fi or Fantasy? Science Fiction

What question(s) would you like to ask me? 

What technique (process or practice) have you learned that has influence your own writing the most, and why?

Rob’s Answer: Hmmm. One that you mentioned above is important, and that’s the creation of a team. The analogy I use is a race car driver. At the end of the race, the winner gets photos, prizes, and all that sort of thing. However, he doesn’t get there without good mechanics, pit crew, and all the people involved in a race. My team is good, and getting better all the time.

Another important thing is keeping track of what’s working and what’s not. I often say, “There’s one true way of writing and it’s what gets words on the page.” If you are not productive at some point, change something. Anything. Your music. Your chair. Where you write at. For me, that will increase my productivity and then I have to change it up. Writers will always have slow periods, I think. Just keep plugging away.

One specific technique that I’ve added to my process is to read it out loud from a printed copy. Toni Weisskopf said in a panel once that editing from printed copies is much more effective than on the screen and she had studies to prove it, as well of course as experience at Baen. I also find that if I read something out loud the clumsy writing jumps at me because it will not roll off the tongue. It will feel clunky. Yes, that’s tedious. It took me four 12-plus hour days to do this with Brief Is My Flame, yet it was dramatically better because of it.

Tell me again where we can find your stuff? 

My website is www.kevinikenberry.com. We’re headed for a major site overhaul soon, maybe in time for SphinxCon, but there’s information there on how to sign up for my reader’s group – The Reaction Squad – and a bunch of other stuff. There will be goodies (a free short story namely) when the new site goes live.

I’m on Facebook with an author page and my Twitter handle is @TheWriterIke. That’s about it for social media right now.

And where can we find you?

  • MileHiCon 50 (October, 2018)
  • SphinxCon (November, 2018)
  • Superstars Writing Seminar (February, 2019)
  • PensaCon (February, 2019)
  • FantaSci (March, 2019)
  • Phoenix Fan Fusion (May, 2019)
  • LibertyCon 31 (May, 2019)
  • DragonCon (August, 2019)

Do you have a creator biography?

Kevin Ikenberry is a life-long space geek and retired Army officer.  A former manager of the world-renowned U.S. Space Camp program and a space operations officer, Kevin has a broad background in space and space science education.  His 2016 debut science fiction novel Sleeper Protocol was a Finalist for the Colorado Book Award and was heralded as “an emotionally powerful debut” by Publisher’s Weekly. Kevin is the author of the military science novels Runs In The Family, Vendetta Protocol, Peacemaker, Honor The Threat, and Stand Or Fall. He is an Active Member of SFWA, International Thriller Writers, and an alumnus of the Superstars Writing Seminar.

Final question for you: What should I have asked but did not? 

You should have asked what’s next for me. Well, at DragonCon we announced that I’m writing a Tales of the Four Horsemen Universe book with my good friend and amazing author Quincy J. Allen. The novel will follow an Oogar Peacemaker named Hr’ent (from the pages of STAND OR FALL) and should be out in mid-late 2019. It’s going to be a hell of a ride!


Thanks to Kevin for taking the time to answer my questions.

If you have any suggestions or comments about this interview format, let me know so I can keep tweaking it.

Also, thanks to you for reading. If you’re interested in any of the other interviews I’ve done, you can find them all here: http://robhowell.org/blog/?cat=326. If you are a creator, especially an independent creator, and you want to be spotlighted in a future interview, email me at rob@robhowell.org.

Finally, if you want to join my mailing list, where I’ll announce every interview, as well as what’s going on in my life, go to www.robhowell.org and fill out the form (Name and Email Address) or drop me an email and I’ll add you.

Have a great day.

Rob Howell

Constellation AAR

I’m a little late posting this because I’ve been so busy over the past week, but better late than never.

This was the last Constellation, which is a shame because it was such a nice little con. There weren’t a ton of people there, but the quality of those that were there was impressive. The guests, including Mary Robinette Kowal, Orson Scott Card, David Drake, and Toni Weisskopf were great. The fans at the panels were generally interested and engaged, with some excellent questions. Also, since there weren’t so many people, we were able to interact with most of them multiple times. I love it when I can actually get to know some of the others there.

Most of my programming happened on Saturday, where I basically worked from 11am to 6pm. I love those kinds of schedules, even if they’re tiring.

My first panel was Combat in Science Fiction – Weapons and Strategy. I enjoyed this panel, though it was a little terrifying. To my right was Card. To my left was Drake. Uhhhhh…. Those two, of course, have a lot of great things to say. I managed to get a few good things in myself. One of the things that I think will be true in warfare, no matter in a fantasy universe, the real world, or in a science fiction future, is that logistics will shape how and where battles are fought. Only after I figure out what is scarce or what is required to fight, can I write combat.

After that panel, I had three straight hours at a table to sell my books. I sold a ew, but the better part of this time was spent chatting with Michael Allen, Rich Groller, and Stephanie Osborn. These are all really good authors and I like looking at their solutions to the things we all deal with, like for example the logistics of moving books around. Michael had a neat arrangement that let him move a tall bookcase around. I think, once I get my next woodshop, I can do something like what he did, only purpose built instead of adapting various things.

At 4pm I was in a panel about History in Science Fiction. Obviously, this is a perfect panel for me and I had a great time. We had a lot of great things to say, so much so that we went over.

This wouldn’t have been a problem except that my last panel of the day was immediately following. This panel covered blending genres and it was rough but fun. There were two of us on the panel, Allen and I. As I say, the history panel went long and he was also on that panel so we got started late. Plus, neither of us had planned to moderate so it took a bit to get rolling. However, this was probably the most fun of my panels. We played a game where I went around the room asking for favorite books, movies, things and then I would riff on a blended genre. Lots of improvisational fun.

I thought about going to bed early because I was tired, but ended up heading to the Moon Princess Party. I had a fantastic time and got to chat with a bunch of people. Really glad I went.

I was only involved in one panel on Sunday, and that was a roundtable discussion about endings. I learned a ton, but the most surreal moment was hearing Drake talk about listening to Manly Wade Wellman’s stories as Wellman was on his deathbed. The surreal part is that I had heard one of the stories before, related to Wellman’s time in Wichita and Kansas as a newspaperman, but I had never heard who it was that was involved. Weird how close we all are sometimes.

Constellation was also notable for being my mom’s first SF/F convention. She thought she’d be kind of bored, but ended up going to more panels than I did. Overall, take my mom to work day went very well.

It is a shame Constellation is ending. It was a great con, well run, with good guests and fans. Plus, the sequence of events on this trip are excellent, and I would have liked to have the option to do all three events again.

 

ChattaCon AAR

I had debated about attending ChattaCon for a couple of reasons.

One, I sent in a couple of emails and they fell through the cracks, in part because they had some technical issues. Stuff happens. Still, I wasn’t sure how much exposure and value I would get from the con.

Two, I was pounding on the next novel in all  of January and I was tired. The next one is much more complex and was going slower. Frankly, I was just tired.

Nevertheless, I decided to go to the con if only to get out on the road and re-energize, as driving often does for me. In the end, though, I’m really glad I did go as the con was very productive.

I want to start by thanking Larry Correia for being so gracious and patient with questions not just from me but from anyone who asked him. He knows a ton about the process and is willing to share it with anyone who is interested. I had met him briefly in the Writer’s Seminar at GenCon 2014, but since ChattaCon is much smaller I was able to pick his brain more thoroughly. I look forward to chatting with him again at LibertyCon and other events.

I also got very lucky and ran into William Dietz as he was going to the same room party as I and we had a long chat and stroll on the way. Very nice man with, again, lots of knowledge to learn from.

My biggest problem right now is that no one knows who I am and I made a few nice new contacts that I think will really be helpful in the long run. I had met Uncle Timmy at LibertyCon last year, but only briefly. He has a large following that he might help me penetrate.

He also helped me get with the programming director of LibertyCon and I think I’ll be very active on panels and such there. Probably a reading. That’s a little terrifying, but another step on the path.

Also, at the end of the con, Mark Wandrey and I chatted. I had met Mark before, I think at GenCon 2014, and he is only slightly ahead of me in the independent author career path. I think he and I can help each other quite a bit, and we’re planning on sharing a dealer’s booth at WorldCon.

The last point is a bit embarrassing. I talked with Toni Weisskopf some, and she now knows who I am, at least vagely. She knows I’m an independent author, but really not much more. I offered to give her copies of my books, but chickened out when she asked if it was a submission.

Weird. I had no fear to give her my books as just something to read. But giving them as a submission to Baen? Terrifying. Bah. Sometimes I’m an idiot. Do I think I’m a good enough writer for Baen? Yes. Do I think I’m there now? I don’t know. I guess not knowing, at least right now, is better but I need to get over that fear.

One fear I lost was my worthiness to be on panels. I realized in several that I had something important and relevant to add based on my experiences so far. I don’t know everything, but I do know some things.

To sum up, ChattaCon was a great time. I now know the system and anticipate participating on panels next year. I got to meet some new people, expand some previous relationships, and make some contacts. Totally worth the drive.

Anyway, time to get back to work. Have a great day, people.