We continue this series of interviews with another finalist, C.M. DeMott. Many of you will get to meet her at FantaSci. More of you might know her as Morgan Wolfsinger in the SCA, a renowned bard and storyteller.
C.M. DeMott
Why are you here? This includes influences, favorite creators, steps along the way, and dreams down the road.
C.M. DeMott
I am influenced primarily by JRR Tolkein, Ursula K. Le Guin, Michael Moorcock, Rudyard Kipling, Susan Cooper and Rosemary Sutcliff. Also, Peter S. Beagle, Manly Wade Wellman, Neil Gaimon, and Charles DeLint.
I decided to write because stories are a door into a different place. A way to meet new friends and challenges, where you control the outcome. I choose to create because the stories inside me want out.
My goal is to get a series of novels I wrote published.
Describe your great Lab of Creation? This includes where you work, what do you listen to (if anything), things you have to have in your work environment, and stuff you’ve tried that haven’t worked.
I work in my tower. Yes, really. My office is in a tower. I’m surrounded by books, model horses, and my airbrushing stuff.
I usually listen to music, notably Heather Dale, Metallica, Evanescence, Nickleback, Jethro Tull.
I have to have a place where I can’t be easily interrupted.
What are your superpowers? This includes things you like your creations, specific techniques you do well, and some favorite successes.
I want magic, unicorns, dragons, music, and smart characters who can learn from what I throw at them in my creations.
I think I do best with writing poetry and setting a scene.
What are specific techniques you do well? Poetry. Setting a scene.
My biggest successes so far are self-publishing 7 CDs of my own music and getting 2 short stories published.
What will Lex Luthor use to defeat you? This includes challenges you’ve faced that frustrated you, learning experiences, techniques for overcoming creative challenges, things you’d have done differently, and advice for new writers.
My biggest challenge is making time to write.
One of my most productive failures was a really horrible customized model horse. Gave me a better eye for perspective and anatomy.
Whenever I have a slow point, I switch to a more physical activity, like sculpting, or to writing music. Switching to a different character story line also helps.
The biggest thing I’d tell new creators is to keep trying. Analyze what you’re doing that isn’t working, and try to find a way around the road block. For myself, I wish I could go back and pay more attention to grammar and punctuation.
Lightning Round
Favorite Muppet? Kermit, of course.
Favorite Musical Performer We’ve Never Heard Of? (Ed. Note: I put this here to help us all find cool new things to listen to. She didn’t provide an answer here, so I will point out that she’s got 7 CDs available. Just sayin’)
Winter, Spring, Summer, or Fall? Winter
Favorite Superhero? Dr. Strange
Best Game Ever? Circus Maximus
Favorite 1970s TV show? Dark Shadows
Do You Have Pets? (provide pictures if you want) 3 cats
Favorite Weird Color? Dappled silver black.
Favorite Historical Period? 450-550 CE British Isles.
Steak Temperature? Rare
Favorite Chip Dip? None
Beverage(s) of Choice? Black tea
Tell me again where we can find your stuff?
morganwolfsinger.bandcamp.com (currently working on an 8th CD)
C. M. DeMott is a small animal veterinarian living in southwest Virginia. Since discovering the Society for Creative Anachronism in 1976, she has been writing and performing original ballads based on legend, faery tales, and myths under the name Morgan Wolfsinger.
She currently has seven CDs out, and is working on an eighth. “Choices” in Talons and Talismans II was her first published story. “Fluffers” in The Keen Edge of Valor is her second. You can find her music at morganwolfsinger.bandcamp.com.
* * * * *
Thanks to Cathy for hanging out, and I can’t wait to hear her play something at FantaSci.
It’s release week. Friday, Trouble in the Wind blows right into the Amazon store of your choice. Here’s another author from that anthology, Bill Webb.
Interview: Bill Webb
Bill Webb
What is your quest?
Let’s start with influences. In Science Fiction it all starts, like it does for so many others, with Robert A. Heinlein. By the mid 1960s he had created more classics than most people do in a lifetime, and to this day I’m stunned nobody has ever made a movie out of Tunnel in the Sky. Heinlein knew how to tell a story in the most direct way possible, although as time passed that, too, ebbed. The last book I truly loved was Time Enough For Love. But that about the time, the mid 70s, when I discovered Roger Zelazny, so to me there no dropoff in the quality of what I read, particularly with the Amber series and my all-time favorite, A Night in the Lonesome October, although one could argue those were all fantasies. But hey, even RAH wrote a fantasy novel, Glory Road. (I’ve heard from Rufo!)
But there were also many, many more in addition to those two giants, including Larry Niven, Jerry Pournelle, Jack Williamson, David Weber, David Drake and especially John Ringo.
Fantasy influences are very clear in my mind. The godfather of them all is Robert E. Howard, of course. I write sword and sorcery and he invented the genre. Also high on the list are Michael Moorcock, Kar6 Edward Wagner and especially Fritz Leiber. As much as I love Tolkien, I’ve read LOTR at least 35 times, I consciously try NOT to emulate his writing style. Ursula K. Leguin advised against trying to out-Tolkien Tolkien, because it can’t be done.
What is your favorite color?
Blue. All shades of blue.
I am the last person to explain why my writing style works, or how it evolved, because I have no idea. But I’ve always remembered some advice given by Zelazny, that he never mentions more than two attributes of a person. One thing I rarely do is to write a description of a room, ship, character or locale. Many authors do so, and do it well, but I don’t.
What works for me, and that I might pass on to others, is to use an accurate term to describe something and then pick out one or two details that make it unique. For example, and making something up just for this interview…”The throne room was smaller than he’d imagined it would be, and oval. A simple chair of heavy and highly polished wood served as the king’s throne. Afternoon light poured through a leaded glass window.”
That style evolved over nearly 50 years of writing. Majoring in creative writing taught me how to construct sentences and how to think of scenes, but it had little relation to building a genre story. Literary fiction generally doesn’t lend itself well to a genre setting, so there was quite a bit to unlearn.
The only exception to the two-descriptors rule is when something complex needs an extensive blueprint for the reader to understand. The composition of a Roman legion, for instance, or a suit of powered armor, might require a more complete description. But even then I make it as short as possible. And it’s not because I write short books, either. The last three books I’ve had published are 133k, 137k and 300k words. But they read fast because I don’t get bogged down in details, and I am consistently told how readers can visualize everything in their minds. That’s because I let them fill in the big picture on their own.
What is the average flying speed of an unladen paint brush?
I was held back for many years trying to remember all the rules I’d been taught about writing. Instead of just sitting down and telling a story, I thought and thought about the next sentence trying to keep all of my lessons in mind. Show don’t tell, don’t use adverbs, don’t overuse ‘that’, don’t do, don’t do, don’t do…the truth is, what writers need to do is to write. That’s the only way you can learn.
Now, I write a story or novel as I think it should be written, clean it up with a rewrite and/or edit, then send it to the editor.
What are the powers of your personal Holy Hand Grenade?
When I write in 3rd person it’s always 3rd person limited. That helps cut down on telling instead of showing, and it also allows for shorter scenes told through multiple points of view. It’s a way to speed up the action and keep things interesting. When you’re inside the mind of the antagonist, for example, 3rd person limited let’s you show the reader how he or she views things, and a really good villain is someone the reader can identify with, at least to some degree.
If I’m writing first person there has to be a good reason. My original series Hit World, for example, is first person in a noir style reminiscent of Raymond Chandler or Dashiel Hammett. The protagonist has the world-weary, jaded voice of an old-school private eye who’s seen it all, except he’s an assassin. Understanding him would be much harder in 3rd person limited. So if you’re going to write 1st person, make sure you have a reason for doing it, and that the character has a unique voice.
Lightning Round
Favorite Muppet? Miss Piggie.
Best Thing From the 80s? My kids.
Your Wrestler Name? The Sluggish Lion.
And Signature Wrestling Move? The plop.
Favorite Weird Color? Coral.
How Will You Conquer the World? From a beach chair.
What Cartoon Character Are You? Snoopy.
Best Present You’ve Ever Received? A chess table when I was 13.
What Do You Secretly Plot? To live on a beach in the Caribbean.
Brought to you by the letter ___? Z.
Favorite Sports Team? University of Memphis Tigers.
Lime or Lemon? Lime.
Favorite Chip Dip? Cheese.
Favorite Musical Performer We’ve Never Heard Of? Status Quo.
Whisky or Whiskey? Beer.
Favorite Superhero? Iron Man.
Steak Temperature? Medium well.
Favorite 1970s TV show? Soap.
Winter, Spring, Summer, or Fall? Summer, all year round.
Favorite Pet? All of them.
Best Game Ever? Diplomacy.
Coffee or Tea? Coffee.
Sci-Fi or Fantasy? Both.
What question(s) would you like to ask me?
What’s the best answer you’ve gotten to a question?
Rob’s Answer: Oh, man, I don’t know that I can answer that correctly. There’ve been a bunch of great answers. So, I’m going to be a mealy-mouthed answerer and pick my favorite answer from your interview.
Yeah, I’m lazy.
But part of the reason is that many of the answers have blurred together as part of the melange that has become my own writing philosophy. I don’t entirely know at this point what I started with and what the answers that all these interviews have taught me. What I can say is that doing these interviews have taught and improved my own writing. I started it as a fun exercise that would help get us all a little publicity. What happened is that it gave me great insights into other people’s processes, many of which I’ve incorporated as I try to get better.
But your best answer? Your answer about limiting yourself to two descriptive words most of the time is a good one. It’s a rule I follow as well. I am too easily seduced by the great descriptive skills of Raymond Chandler, so I consciously try to avoid his long and brilliant style because I know I’m not as brilliant.
Still, my favorite answer of yours is from the Lightning Round. Yeah, I can see “The Plop” dominating WWE for years to come!!!!
I’m tempted to say ‘at a bar’, except that wouldn’t be true. So maybe my website is a better bet: http://thelastbrigade.com/
Do you have a creator biography?
Yes.
Oh, you want it here?
Born, raised and warped in West Tennessee, Bill Webb wrote his first stories in grade school, scaring his parents, teachers and friends. And that was before he found comic books and science ficition. The release in 2016 of his Last Brigade series changed his career path by actually giving him a career path. The Time Wars and Sharp Steel and High Adventure soon followed.
By age 25 he’d read all of the classics…Robert E. Howard, Fritz Leiber, Harold Lamb, Michael Moorcock and Roger Zelazny. Indulging himself in a double concentration at the University of Memphis of Creative Writing and History, college felt more like a long party than school.
With multiple awards and nominations to his credit, and active membership in the Science Fiction Writers of America, he reached into a long-sealed bag of literary tricks for the nascent idea for the new Hit World series. No telling what else dwells at the bottom of that bag.
Final question for you: What should I have asked but did not?
You should have asked me what one story/novel of mine should someone read to understand me as a writer? In my case, it would be the Darrell Award winning novella A Night at the Quay.
Rob’s Note: This is a great question, and I might very well add it to my interview. I’m not sure how I’d answer that myself. Each has been a good view into the state of my soul at the time. Of them all, probably A Lake Most Deep is the most soul-baring because at the time I was in a bad place. Writing it kept me going and let me become something stronger.
Thanks to Bill for taking the time to answer my questions.
If you have any suggestions or comments about this interview format, let me know so I can keep tweaking it.
Also, thanks to you for reading. If you’re interested in any of the other interviews I’ve done, you can find them all here: https://robhowell.org/blog/?cat=326. If you are a creator, especially an independent creator, and you want to be spotlighted in a future interview, email me at rob@robhowell.org.
Finally, if you want to join my mailing list, where I’ll announce every interview, as well as what’s going on in my life, go to www.robhowell.org and fill out the form (Name and Email Address) or drop me an email and I’ll add you.
Greetings all. Today’s interview is with Matt Williams. He’s another author I’ve not yet had the pleasure of meeting face to face, but one of these days I’ll do a west coast swing and hopefully get a chance to share a beverage with him.
Interview: Matt Williams
What is your quest?
I guess you could say my quest has always been to write the kind of science fiction that I would want to read, the kind of stuff that inspired me growing up and made me want to become a writer myself. This comes down to hard science fiction mostly, and the classics that have remained relevant and influential long after they were written. Examples include the venerable Frank Herbert and his magnum opus, the Dune series. He was the author that taught people to take science fiction seriously, myself included.
And of course, there is 1984 by George Orwell and Brave New World by Aldous Huxley, perhaps the most-influential works of the 20th century and the stories that taught me how science fiction is also a commentary on the present as much as a vision of the future. And then there was William Gibson’s Neuromancer and Sprawl Trilogy, which not only taught me about gritty, cyberpunk realism, but that all science fiction is about the time period in which it is written.
I also derived a lot of inspiration from Arthur C. Clarke’s Space Odyssey series and Rendezvous with Rama, Isaac Asimov’s Foundation series, Alastair Reynolds’ Revelation Space universe, Ursula K. LeGuin’s TheLeft Hand of Darkness and The Outcasts, Neal Stephenson’s The Diamond Age, and various works by Charles Stross and Kim Stanley Robinson. All of these books helped me learn to dream in hard science fiction, and to weave tales of my won.
And of course, I wouldn’t be where I am now were it not for the opportunity I’ve had to write about astronomy, science, and space exploration for Universe Today. All of my published work owes its existence to what I have learned from my job, which is how to take space-related news and knowledge and make it accessible for public consumption. You might say there’s some crossover there with being a science fiction writer! 😉
What is your favorite color?
I’m not too picky, as long as the colors are appropriate to the setting. That’s one thing I like about settings, they need to be detailed so that people can get an image in their mind of what it’s like to be there. This includes not only what things look like, but also smell like and feel like. Space and place are very important when it comes to creating atmosphere and setting the mood. This is as true for science fiction as it is in real life.
What is the average flying speed of an unladen paint brush?
The challenges have been numerous and belligerent! But that’s pretty much how it goes and that which does not kill you makes you stronger. For starters, I found that you have to make all the mistakes before you can expect to identify them. You also have to learn that reality does not conform to expectations. Much of these lessons were learned from my first novel, which was self-published and really didn’t do that well.
And even after learning all that, I’ve found I still have some serious difficulties with the writing process. Some of these are typical while others feel like they are particular. For instance, I have a hell of a time writing the middle parts of stories. Beginnings are easy for me, which is why I start projects all the time that I never finish. Endings are great too, that’s where most of the exciting stuff happens. But those middle chapters? Ick! This seems like an example of a typical problem for writers.
But what I think may be particular to myself is the difficulty I have with writing third installments. Not sure why, but the third book in a series is always the hardest for me to write. The first book is a challenge since it involves setting the stage and all that, but it’s creatively fun and rewarding. The second book seems easy by comparison, since you’ve already set the stage and the second act is all about turning up the heat and taking things to the next level! But the third book? That’s where everything has to come together and conclude in a nice, tidy package. So many details to remember, so many threads that need to be tied!
What are the powers of your personal Holy Hand Grenade?
I would say my most effective technique is visualization, specifically the ability to picture how things will look in a story before committing them to paper. I’ve always had a fertile imagination, which could be a liability at times! In grade school, I was accused more than once of being lazy, inattentive, and stupid for the way I would be constantly daydreaming. Luckily, my educators saw the potential and recommended I channel my imagination into my work. Now my work is based on my ability to imagine things. I believe they call that “check” and “mate”!
This has led to many reviewers and commenters saying that they liked my “world-building”. I have to admit, that’s one of my favorite aspects of creating a story, picturing how everything fits into a narrative universe and fleshing it out from there. And since people seem to respond to that, I am happy to keep doing it!
Lightning Round
Favorite Muppet? Kermit
Crunchy or Creamy? Crunchy
Favorite Sports Team? BC Lions
Cake or Pie? Cake
Lime or Lemon? Lime
Favorite Chip Dip? Onion and Chive
Wet or Dry? Dry
Favorite Musical Performer We’ve Never Heard Of? Shawn Pigott
Whisky or Whiskey? Whiskey
Favorite Superhero? Iron Man
Steak Temperature? Hot, but still pink in the middle
Favorite 1970s TV show? M*A*S*H
Winter, Spring, Summer, or Fall? Spring
Favorite Pet? Jasper
Best Game Ever? Skyrim
Coffee or Tea? Coffee
Sci-Fi or Fantasy? Sci-Fi (hello!)
What question(s) would you like to ask me?
My questions are a bit eclectic and my I’m heavily-biased when it comes to them, so feel free to pass on any or all of them:
Beer or wine? Beer Favorite beer? Schlafly Tasmanian IPA How much ya’ bench? Both pounds Best sci-fi movie of all time? Empire Strikes Back Best recent sci-fi movie? Guardians of the Galaxy Best sci-fi novel/writer of all time? Isaac Asimov Terraforming or space habitats? Both FTL, yay or nay? Eventually. There’s too much fuzziness in time and space for there not to be a way of circumventing. What is the central question posed by the Fermi Paradox? Why the human race can’t get a date.
My third book, The Frost Line Fracture (which will conclude the Formist Series), is in the works and should be available soon. Time will tell, but I’m on track to finish it by this summer!
And where can we find you?
I am still contemplating attending TitanCon, which is being held in Belfast this year. It’s a bit of a hop, but one that would be worth it.
Do you have a creator biography?
Matthew S. Williams is an author, a writer for Universe Today and the curator of their Guide to Space section. His works include sci-fi/mystery The Cronian Incident and his articles have been featured in Phys.org, HeroX, Popular Mechanics, Business Insider, Gizmodo and IO9, Science Alert, Knowridge Science Report, and Real Clear Science, with topics ranging from astronomy and Earth sciences to technological innovation and environmental issues. He is also a former educator and a 5th degree Black Belt Tae Kwon Do instructor. He lives on Vancouver Island with his wife and family.
Final question for you: What should I have asked but did not?
How about best science fiction series of all time? Opinions on this are usually divisive and varied, but for me, it’s Babylon 5. No other sci-fi series that I have experienced before or since has managed to capture J.M. Straczynski’s ability to weave a tale, set the stage, and connect it all in a brilliantly-circular fashion. At least as far as I am concerned.
Here are a couple of reviews of his first two novels.
“The Cronian Incident, which I recommended to my audience as my top Sci-Fi read of the year, is a treasure of planetary science.“ –Heather Archulette (aka. Pillownaut)
“Exciting plot with a good foundation in science. This is not surprising given the author’s expertise as an excellent science writer for Universe Today. Inspiring ending. Highly recommended!” –Prof. Avi Loeb, Harvard University
Thanks to Matt for taking the time to answer my questions.
If you have any suggestions or comments about this interview format, let me know so I can keep tweaking it.
Also, thanks to you for reading. If you’re interested in any of the other interviews I’ve done, you can find them all here: https://robhowell.org/blog/?cat=326. If you are a creator, especially an independent creator, and you want to be spotlighted in a future interview, email me at rob@robhowell.org.
Finally, if you want to join my mailing list, where I’ll announce every interview, as well as what’s going on in my life, go to www.robhowell.org and fill out the form (Name and Email Address) or drop me an email and I’ll add you.
Welcome to the first interview of 2019. It’s going to be a great year, and we’re getting started with A.E. Lowan. Lowan is a pen name for three talented writers, Jessica Smith, Jennifer Vinck, and Kristin Vinck. I met them at Planet Comicon a couple of years ago. Our tables were next to each other in the Author Alley and we had a chance to hang out some.
But wait, we’re starting out 2019 with more, but what’s better than more? They’ve included a couple of excerpts from their Book of Binding fantasy series.
Faerie Rising Cover
What is your quest?
JS: To capture a vivid world and the full spectrum of emotion that swirls within it, but also not to limit myself to a single type of story. All flavors of speculative fiction make it across my plate, and so do the possibilities that accompany those genres—but it is fun to take certain conventions of plotting and turn them on their head.
KV: My quest is to invoke emotion in the reader, to communicate the emotional lives of our characters in such a way as to make them feel real, because to me they are. These characters are some of my best friends and we are sharing them with the world. It can be scary stuff. Or liberating. It all depends on how you choose to view it.
JV: As a speculative fiction author, my quest is to tell an entertaining story that doesn’t necessarily reflect the world as it is, but as it could be. I am an idealist at heart, and my stories tend to focus on the effect that a dedicated group can have on the world. Whether my stories are set in unique fantasy worlds, urban fantasy environments with magical elements in the real world, or on a space ship, my characters crave change. They sense something wrong in their worlds and are the kinds of people who can’t let that go unaddressed. They are driven to affect change. I hope that readers will catch a fever to affect change in their own world from the passions of my characters.
There have been so many speculative fiction authors who have come before me with this same goal. I couldn’t hope to list them all, but some of the most influential on me have been Anne McCaffrey, George Orwell, Ray Bradbury, Ursula K. Le Guin, Lois Lowry, Robert A. Heinlein, John Scalzi, Octavia E. Butler, Margaret Atwood, Lois McMaster Bujold, Michael Crichton, and Marion Zimmer Bradley.
What is your favorite color?
JS: Setting wise … in high fantasy, referencing less-common cultures that inspiration might be drawn from. Everyone has seen a mock-up of the general British or French monarchy done time and time again, but what of medieval Germany? Ancient Egypt? Renaissance Spain? The Philippines, or even Sengoku-era Japan? There are so many ways to seed diversity within your world.
As for techniques, beginning in medias res helps get the ball rolling without relying on exposition.
KV: I am a trained poet and academic, though I ran away from that circus years ago. That being said, they both inform my prose. I seek to make even the most fantastical elements plausible (I love that word), drawn from history and science and the natural world, and I always strive to make the words themselves flow like music. I am not afraid of long sentences.
JV: I am a fan of flawed characters and the idea that redemption is attainable for anyone willing to strive for it. Our characters tend to come from traumatic backgrounds, both with traumas that have been inflicted on them, and traumas they have inflicted on others. I firmly believe that conflict is the root of story, and these types of internal conflicts—dealing with the repercussions of past action, seeking atonement—lead to stories of greater personal depth than just dealing with the crisis du jour.
What is the average flying speed of an unladen paint brush?
JS: At this point in my life, carving out enough hours in my day to write (with being a student, running the family farm, and having a day job), and having those hours respected. Growling like a dragon so far hasn’t helped.
KV: I am a writer who suffers from significant mental illness, and it often gets in the way of me being the most creative and productive I can be. I find this incredibly frustrating. But, on the other hand, my mental illness also gives me a window onto these amazing worlds I have the privilege of writing about, so there is a lot of give and take.
JV: One of the challenges we have faced is changing the pace of our writing between book one and book two of The Books of Binding. We wrote Faerie Rising over the course of about seven years (though we have been developing the world of The Books of Binding for almost twenty). But we didn’t want there to be seven years between Faerie Rising and Ties of Blood and Bone. Learning how to produce a story that is just as good as the first at a fraction of the time took us some time to figure out and Ties of Blood and Bone was delayed for five months. But I think that we learned a lot about how we write and how to streamline the process from this failure.
What are the powers of your personal Holy Hand Grenade?
JS: In Team Lowan, I tend to be the developmental powerhouse. I’m rather good at coming up with entire worlds on the fly, and with them, massive, personalized casts to populate it.
KV: Music, coffee, and snacks. I am constantly listening to music to help focus my emotional life into words, and coffee is the fuel that keeps me running. I like to say that someday I’ll dedicate this series to Hershey’s and Frito Lay.
JV: I think that the element that I am most proud of in our work is the depth of our characters. They are engaging, and readers have told us that it is the characters that keep them up late turning pages until the end of each book. We write with an ensemble cast. We don’t have one or two main characters, we have a family who all have their own part of the story to tell. One of the things we always ask readers is, “Who was your favorite character?” We are very proud that we have gotten back every member of the cast as an answer.
Lightning Round
Favorite Muppet?
JS: Miss Piggy for her sass.
KV: Orlando Bloom
JV: I love Elmo’s enthusiasm and generosity of spirit.
Crunchy or Creamy?
JS: Creamy as in JIF peanut butter
KV: Creamy
JV: Definitely creamy
Favorite Sports Team?
JS: Bulgaria’s National Quidditch Team.
KV: Torn between the Seattle Seahawks and the Pembroke Titans, the pee wee hockey team my friend’s kid plays on.
JV: The Kansas City Chiefs. I have stubbornly never given up hope that we’ll make it through the playoffs again one day.
Cake or Pie?
JS: I’m partial to cake, honestly. Especially Dutch chocolate.
KV: Always pie. The cake is a lie.
JV: Both, as long as they’re chocolate.
Lime or Lemon?
JS: Lime. Lemon is a bit too overpowering for me, especially on fish.
KV: Lime. In a Coke. Delish.
JV: Lime.
Favorite Chip Dip?
JS: I’m partial to potato chips, and I don’t really dip those.
KV: The spinach and artichoke dip from Sam’s Club with tiny tortilla chips.
JV: French Onion on wavy potato chips.
Wet or Dry?
JS: Do I get to swim?
KV: Wet.
JV: Wet—I love both swimming and playing in the rain.
Favorite Musical Performer We’ve Never Heard Of?
JS: Erutan, and Rachel Rose Mitchell.
KV: Who’s to say what someone has never heard of, but I like Carbon Leaf. They write great songs (“The War was in Color” “What About Everything?”) and don’t get a lot of hits on the YouTubes.
JV: Sam Tsui (though more and more people have heard of him).
Whisky or Whiskey?
JS: Homemade icing? Whisk away!
KV: Whiskey. I’m Irish, second generation immigrant.
JV: Whiskey. In my family you get in trouble for writing it any other way.
Favorite Superhero?
JS: Probably Kitty Pryde. She has so many interesting arcs and an unusual ability to fuel them.
KV: Superman. I love his optimism and faith in humanity.
JV: I only get one?? Superman, though I’m normally more of a Marvel girl, if I only get one it has to be the man in the red cape.
Steak Temperature?
JS: Medium-rare. I don’t want a sufficiently skilled vet to be able to revive my meal, but I don’t want it to be carbonized, either.
KV: Mooing.
JV: Medium Rare
Favorite 1970s TV show?
JS: Little House on the Prairie, or Bewitched. It’s honestly a tie
KV: Buck Rogers
JV: M.A.S.H.
Winter, Spring, Summer, or Fall?
JS: I’m going to go with fall, because spring in Texas is usually about a week.
KV: Fall. The heat of summer has broken but the slush has not yet arrived. Plus, my birthday!
JV: Spring – I love when the world starts to turn green again.
Favorite Pet? (provide pictures if you want)
Sugar
JS: But the furry ones are family. How can I choose a favorite? I can provide a picture of the senior office minion, though! I bottle raised Sugar and she has been my creative companion since she was an itty-bitty kitten (though she’s still itty-bitty, 6 pounds at 11 years old).
KV: I don’t have a single favorite pet, I have several. I won’t inundate you with office minion pictures, though Jennifer might. 😀
Perseus
JV: Oh, this is hard, like choosing a favorite child. How about most photogenic? Our most handsome pet is Perseus, our office supervisor. Here he is napping on the job.
Best Game Ever?
JS: Now that’s a tough choice. I’m going to have to go with the Pokemon franchise because of its infinite replayability and the way you can customize everything.
KV: Calvin Ball (from the comic strip Calvin and Hobbes)
JV: Best board game would be Trivial Pursuit (though I can’t get anyone to play with me anymore.) Best video game is World of Warcraft (yeah, I’m one of those geeks.)
Coffee or Tea?
JS: Tea. Green (citrus or mint), or cinnamon.
KV: Coffee, without reservation. Drinking coffee right now.
JV: Neither, please. I am a water lover
Sci-Fi or Fantasy?
JS: Both! I particularly love fantasy with a science backing behind its lore and in-world tech. It grounds the setting so well and makes it feel incredibly well thought out.
KV: Both. Both. Yes, both is good.
JV: Please don’t make me choose! If I had a gun to my head I would say fantasy… but I love them both as well as a blend of the two.
What question(s) would you like to ask me?
How do you write such great books so quickly?? We are in awe of your productivity.
Rob’s Answer: Talk about funny timing. I was not at all productive in the fall, though when they originally sent this response back to me I was doing pretty good.
Either way, my answer is the same. Write some each day. My goal is to write a minimum of 1500 words a day, 5 days a week. That’s essentially three full novels and some short stories in a year. Hopefully, I’ll be able to reach that goal in 2019.
What’s next for The World of Shijuren?
Rob’s Answer: Lots! I will finish the epic fantasy series The Kreisens this spring with None Call Me Mother. Then, around Thanksgiving, I plan to release another Edward mystery novel. My intention is to aim for one of those every year, with another novel set in the world in the spring.
I’m also planning to open the world up to other writers to start an anthology and maybe some shared world novels. It’s a big world, even if I manage to finish all of the 25 or so novels I currently have laid out in my head, I will have only scratched the surface. I love the world, and there’s so much yet to tell.
Tell me again where we can find your stuff?
We would love to connect online. We love to talk with readers and other writers. You can find us here
Final question for you: What should I have asked but did not?
You should have asked what’s next for A. E. Lowan? We are currently working on the third book in The Books of Binding – Beneath a Stone Sky. It will be out in 2019. This one picks up about a month after Ties of Blood and Bone. We are also working on audiobook versions of Faerie Rising and Ties of Blood and Bone for 2019.
And add your creator biography.
A.E. Lowan is the pseudonym of three authors who collectively create the dark urban fantasy series, The Books of Binding.
Kristin Vinck
Raised as a Navy brat, Kristin Vinck began writing as a child on the West Coast, learning her love of words at her mother’s knee. Kristin won her first writing award for urban fantasy in Seattle at eight-years-old for a story about a city on a boat pulled by dinosaurs. In her teens, Kristin moved from learning at home from her satirist mother to formal writing education at the Paseo Academy of Fine and Performing Arts in Kansas City, Missouri. Kristin studied medieval studies and creative writing at Truman State University and now writes from the beauty of the Missouri Ozarks.
Jennifer Vinck
Raised among musicians in Kansas City, Missouri, Jennifer Vinck came to writing from another direction—poetry and song. Poetry was her primary creative endeavor throughout childhood and when Jennifer was twelve-years-old she was asked to write the lyrics for a song used for All Species Day (a precursor of Earth Day) in Kansas City. She auditioned for the creative writing department at the Kansas City Middle School of the Arts and there discovered a new passion—speculative fiction. Jennifer met Kristin on the first day of school at the Paseo Academy of Fine and Performing Arts. They began developing epic and urban fantasy worlds and have been collaborating in fiction and in life ever since. Jennifer studied linguistics and classical languages and literatures at Truman State University and spent many years as a bookseller before moving to the Missouri Ozarks to concentrate on writing.
Jessica Smith
Jessica Smith found her passion for fantastical storytelling where so many young writers do – through the masterpieces of fantasy’s renowned matriarchs. As the pile of worlds inhabited by dragon-riders, wizards, and fair folk caused her bookshelves to plea for mercy, the constellation of worlds inside her waiting for their story to be told grew. With enough ideas to fill the state of Texas where she was raised, Jessica first took pencil to paper before she hit double digits. Jessica’s love of the complexities of the universe and the intricacies of the human mind led her into study in the sciences. Her passion for writing took her to the internet in search of others who kept whole worlds in their minds. Jessica has been active on many online writing communities over the years, but it was on a fantasy-specific site, Mythic Scribes, where Jessica met Kristin and Jennifer in 2013. Her worlds and theirs collided as a whirlwind of collaboration began. The Books of Binding is the first project that partnership has unleashed on the world.
Faerie Rising Cover
Faerie Rising: The First Book of Binding
Winter Mulcahy is the last wizard in the city of Seahaven, WA and all that stands between the fractious preternatural population and total chaos. Holding the city together by the skin of her teeth, the blood of her friends, and an addiction to stimulants that is slowly killing her, the young wizard is approached by a pair of sidhe lords who claim that her city is harboring a fugitive who has kidnapped a sidhe prince, and that they are on a mission to rescue the boy.
Winter must investigate this fugitive to get to the truth of the kidnapping, discover the cause of the surges of wild magic tearing open rifts between realms across her city, and navigate the deadly waters of preternatural politics before Seahaven both figuratively and literally rips itself apart.
Excerpt from Faerie Rising: The First Book of Binding
The world shifted sideways. Winter braced herself against the wall with her one good hand, the chalk grinding against the concrete as she fought the initial wave of disorientation. Something was horribly wrong. Within the rift, power was building up, as if someone had just crimped a running hose.
And she was holding the nozzle.
Nine glyphs in the warding, each unique, complex, and time consuming. Each must be drawn with precision, or the whole seal would fail. Winter had never drawn glyphs so fast in her life, her hand frantically scraping the chalk against the wall in her desperate race against… against what? It felt like a tidal wave, rushing implacably toward her. Somehow, something was affecting the balance of power.
She spoke each glyph as she drew it, magic resonating in her voice with each syllable. Six glyphs to go. Its name spoken, the glyph would take on a glow, casting the hole in sharp relief, bringing out each line of exhaustion on Winter’s face.
Highlighting the growing cracks in the cement around the rift.
After the seal went up, the cement became irrelevant. It could be ground to dust, and the seal would hold. Before then, however… the seal needed a matrix, something solid to hold the lines she drew with the enspelled chalk. Before then, the seal was all too fragile.
When the surge hit, it would blow the rift wide open. There would be precious little left of Winter and probably the surrounding square acre or so.
Five glyphs.
She wasn’t going to make it. Winter’s shoulders were burning, her hand beginning to cramp and shake, her hurt wrist felt like it was on fire. The glow of the warding began to fade as her magic was drained by pain and panic and exhaustion. She needed more power. She did not have time to ground and pull power from the earth… leaving only one choice. “Karen!”
There is power to control in a name. She spoke the name with resonant Command, and suddenly the cougar was there, terrified eyes wide on the wizard beside her. Ruthlessly, she pushed aside the older woman’s flimsy natural protections and pulled what power there was into herself. It was wild, and tasted of dark places, pain-filled joy, and kittens warm in the den. This was not a wizard’s gift she used, but came of her mixed blood. The spell flared back to life, and Winter redoubled her efforts.
Four glyphs.
The hole began collapsing inward, little chunks of cement falling into the flame-wreathed darkness.
Three glyphs.
The chunks were getting larger, the cracks creeping closer to her fragile chalk lines.
Two glyphs.
The surge was now audible, a tsunami rushing toward them.
One glyph.
The ground beneath her knees was quivering with the building pressure.
The warding blazed just as the tidal wave of magic rammed it from the other side, the whole ravine shuddering from the impact, then the lettering settled into the cement, leaving the two women alone in the quiet night.
Ties of Blood and Bone Cover
Ties of Blood and Bone: The Second Book of Binding
Winter Mulcahy’s life is getting better since her brush with death in October. She has a new family and they are helping her to grieve and rebuild her shattered life. She is learning to balance family, medicine, and holding the chaos of living among the preternaturals of Seahaven at bay. She meets a wizard, Alerich Ashimar, with the soul of a poet and the heart of a demon who is desperate to escape the life and choices that have been forced onto him. This man may hold the secret to the tragedies that have plagued House Mulcahy, but time is running out—for them both.
Alerich’s family is bound to a demon in a powerful geas set by his grandmother. Kill every Mulcahy by the upcoming winter solstice and her dead husband will be returned to her. Fail, and Alerich’s father, Magnus, will be forfeited to the demon. Magnus sends Alerich to collect Winter, the last of the Mulcahys, and bring her to the demon’s gate before the rapidly approaching deadline passes.
Alerich is horribly conflicted. He has been trying to mend his estranged relationship with his father, and he doesn’t want his father to die. But nor does he want to kill this beautiful, kind woman upon whom so many depend. When Alerich does not bring the girl at the appointed time, his father, feeling that Alerich has abandoned and betrayed him, strikes a terrible deal with the demon—something the demon has always wanted in exchange for the power to kill this last Mulcahy and his traitorous son.
Excerpt from Ties of Blood and Bone: The Second Book of Binding
“Thank you for coming, Alerich. I apologize for my outburst. I am under a fair bit of stress right now.”
Alerich’s brows knit together in confusion. Magnus Ashimar, apologizing for something? What was going on here? “No. It’s fine.” It wasn’t fine, but it was better to be gracious than to insist his father apologize to his friends. That would be too much. “Are you at liberty to tell me what’s bothering you?” It might not be an excuse for his poor behavior, but it would be nice to know the reason. It certainly had not been the first time Magnus had shown his temper at the table.
Magnus let out a breath. “I think I finally am.” He turned from the window to face Alerich and looked for a moment to be gathering his words. “I have been under a geas for the past twenty years, but I am nearly free. I summoned you and your sister here because I need your help.”
Alerich’s breath stilled. A geas? It was one of the most powerful of magical compulsions, second only to the soul compulsions practiced by demon lords like Arariel. His father was bound to perform a task, or forbidden from an action, under pain of terrible consequence. It was a rare wizard who could perform such magic, and though Alerich knew one who could do it, he did not want to think she would.
Not to her own son.
“What do you need me to do?” Alerich kept his tone neutral, careful. He had been forced to assist his father time and again and still carried the nightmares. Magnus was a sorcerer of blood and pain, servant to the Demon Lord Arariel. Where he went, painful, bloody death followed.
Magnus looked back toward the barn. “You know that your grandfather Adrien left your grandmother for a younger woman. Your grandmother remembers their marriage a bit differently than I do. She remembers the love of her life. I remember a miserable, disengaged man who hated being an Ashimar and felt trapped in every aspect of his existence. The minute—the second—an opportunity to leave presented itself, he ran away and left me holding the sorcerous bag.” Magnus sighed. “Left me with Arariel.” He turned back to Alerich. “They killed him for his trouble.”
Alerich shook his head. “The Mulcahys? I thought their line was extinct. Isn’t that what House Daly is saying in their petition to be elevated to Great House—that the Mulcahy line is extinct and would drop the Council to ninety-eight houses?”
“They aren’t quite extinct, yet, but they have not sat in their seat on the Council in years. They were pariahs who muddied their Bloodline by breeding with anything that crossed their path, including mortals and therian.” Magnus looked disgusted. “There is a rumor of one wizard girl in a cadet branch of their line being allowed to give up her magic and take therian form for the purposes of breeding with a therian bear.”
Alerich thought it sounded rather romantic, actually, but that was an opinion he would not be sharing with his father. “But why did they kill Grandfather?”
Magnus gave a small shrug, emotions chasing each other in the depths of his eyes. “I never really knew, though I suspect your grandmother does. He fell in love with a much younger woman—Gwendolyn, the daughter of the Mulcahy at the time, himself. He left your grandmother within hours.”
Alerich’s brows rose. The Mulcahy was head of House Mulcahy, just as his father was the Ashimar, and someday he would be—if he survived Celia, of course.
Magnus’s jaw tightened. “The girl, Gwendolyn Mulcahy, became pregnant but died within a few days of our hearing the news. My father was murdered soon after. They tried to cover it up, of course, but I think they decided he, a sorcerer, was responsible for her death. They seemed to believe if he was capable of trafficking with demons he was capable of killing the girl he adored.” Rage flashed in his eyes. “Cowards.”
Alerich frowned in thought. Grandmother knew? “Grandmother did this to you?”
Magnus met Alerich’s gaze and nodded once.
“Why?”
Magnus looked up at the ceiling and then back down. “She bid me… ‘bid me’ sounds so damn tame, doesn’t it? She forced me to wipe the family out. Every. Single. One. I have until winter solstice—three more days—to finish my task. If I fail, Arariel gets my soul.”
‘They aren’t quite extinct, yet…’ Alerich closed his eyes for a moment and suppressed a heavy sigh. They had driven this Great House to the brink of extinction to avenge an Ashimar death—how very Ashimar of them. There were days when he really wondered why he was wasting his time trying to reconcile with his father at all. Not that his grandmother wasn’t just as culpable. Alerich knew what the look in his father’s eyes was, now. It was fear. How could Grandmother offer her own son to the demon for this madness? Wait… That thought brought him up short. “How was she able to negotiate with Arariel? She’s not a sorcerer.”
“I don’t know. All I know is she thinks that if I succeed, Arariel can bring my father back from the dead.”
“It can’t do that… can it?”
Magnus’s mouth twisted in annoyance. “Alerich, if you spent half the time you spend reading Shakespeare on your magical studies, you would know the answer to that question is, ‘Of course not.’ It’s playing on your grandmother’s hopes and fears, though she refuses to listen to me on the matter.” He shook his head. “And if you paid attention to me more often, you would know that Arariel is unique, even among its own kind. It’s ancient beyond the telling and I’m sure keeping secrets from us. It’s not a normal demon lord, if such a thing exists.”
Alerich forced himself to not look back toward the dining room. He had his own reasons to hate and fear Arariel, and to think too hard about it could draw it out. He looked at his father, instead. The man who had raged at him, beaten him, and belittled him all his life. A sorcerer. A murderer.
How could he let the demon eat him?
Magnus looked out to the barn again. “I need your help, Alerich. There is one last Mulcahy and I need your help to kill her. Just one more and this is finally over. I am out from beneath your grandmother’s control.”
Alerich’s shoulders sagged and he nodded. He did not want to be part of this—any of this—but he could not let his father die. If this was truly the last, then maybe… maybe nothing. Arariel would still be there, demanding sacrifices. Demanding deaths. But maybe this one death would bring his father a species of peace. “What do you need from me?”
Thanks to A.E. Lowan for taking the time to answer my questions.
If you have any suggestions or comments about this interview format, let me know so I can keep tweaking it.
Also, thanks to you for reading. If you’re interested in any of the other interviews I’ve done, you can find them all here: https://robhowell.org/blog/?cat=326. If you are a creator, especially an independent creator, and you want to be spotlighted in a future interview, email me at rob@robhowell.org.
Finally, if you want to join my mailing list, where I’ll announce every interview, as well as what’s going on in my life, go to www.robhowell.org and fill out the form (Name and Email Address) or drop me an email and I’ll add you.
Thaddeus Nowak is another KC-area writer. He and I had tables near each other at Planet Comicon and we got a chance to chat with each other about writing philosophies and styles. You’ll find some similarities in the way we like to write.
Interview: Thaddeus Nowak
What is your quest?
To be a lumberjack? Or maybe to get funding for my walk? Not decided yet.
Thaddeus Nowak
As a writer, my aim has always been to write what I like to read and that tends toward realistic fantasy. I want a somewhat gritty world that has echoes of our own world’s conflicts and struggles mixed with a magic system that obeys balanced rules. I want to feel the character’s struggles and know they have to use their minds to overcome what they face.
Some of my favorite books include The Wizard of Earthsea by Ursula Le Guin, The Firekeeper Saga by Jane Lindskold, and many of the books by Barbara Hambly. In those series, the magic remained subdued, few people in the worlds mastered the power, and most did not fully understand how it worked. To me, that helped to keep the world in balance and forced the characters to be deeper and more well-rounded.
I do enjoy other genres, including scifi and urban / high fantasy. I even made a trip to England to buy the English copy of Harry Potter (okay, I was there for other reasons, but I bought the whole set and shipped it home when I was there).
A theme across all the genres I read is a desire for stories with strong female protagonists. I grew up in a neighborhood where my family had the only boys and all my friends at an early age were girls. That has greatly influenced what I like to read and write. The key here is to make the protagonist someone who makes decisions and who inspires others to follow her. I really get turned off by indecision.
What is your favorite color?
Heirs of Cothel
I like subtlety. I want to be nudged in the correct direction and allowed to make the connection before it is revealed—if it is ever fully revealed at all. It is a hard thing to do because you have no way of knowing just how much a reader does or does not know, and therefore, some hints might miss the mark. You don’t want to leave the reader wondering why something came out of seemingly nowhere, but you also don’t want to hit them over the head with facts that they feel are obvious. The needed understanding must gradually show up as the story progresses.
I also love Easter Eggs. Ready Player One by Ernest Cline was a fun story filled with little bits of geekdom that simply resonated with me. I enjoyed both the book and the movie, and while that story was specifically about paying homage to countless parts of my childhood, I like other books that slide in one or two items for the geek in all of us. It is a good way to share a common bond.
What is the average flying speed of an unladen paint brush?
Failure is such a friend of mine. I remarked the other day that the best way to learn is to pound your head on the keyboard for a few hours until you find the very obvious mistake you made. Granted, that was in reference to some C# code I was working on, but the same applies to writing. Failure is the greatest of teachers, as long as you can step back and take a clinical look at why you failed and how you were able to overcome it. You cannot wallow in it, even if you want to.
Another challenge I continue to face is one of perfectionism. My first manuscript got eaten up the edit loop and bloomed into more than 200k words and was only a third of the way done. I made a few calls and put a hit out on my internal editor. It wasn’t cheap, but it helped.
Another change I made while the editor’s body was dragged off was that I moved from being a discovery writer to being more of an architect (just at a high-level outline). I won’t advocate one form over the other for anyone, but if you are struggling, try changing your writing style from one to the other. Give it an honest attempt and see if it works. When I did, I finished writing Mother’s Curse in two months.
(Rob’s note: There’s one true way of writing, and it’s whatever helps *you* get words on the page. Thaddeus is absolutely right. If you’re stuck, change something. It could be your style, environment, chair, music, food, medium, whatever, just change something.)
What are the powers of your personal Holy Hand Grenade?
I am excellent at counting to five—three.
When I moved to the architect style of writing, I found that I was able to very accurately judge the word count I wanted for a given scene. I would get a reasonably idea of what I wanted the scene to do from my outline and based on how I wanted the pacing to go (fast, slow, or in between) I would come up with an estimate on the number of words / pages it would take me to write the scene. When I plotted out Mother’s Curse, I was aiming for 100k words. The final word count came in at 96.5k and I was proud to have been so close (as well as under my estimate).
Another realization I had when writing my series is that when you have royalty or powerful people involved in the story, you suddenly have another major character to keep track of: the general populace. When a normal person does something publicly, few people will notice or care, but when a person of influence is seen in public, word will spread, and as a result, the citizens of the world will have a reaction, quite often a mixed one depending on their personal perspective. This means I had to calculate societies responses, how fast the information would travel, and look at the political agendas of everyone who would learn of any given event or statement.
Lightning Round
Pip
Favorite Muppet? The old grumpy guys. (Rob’s note: Statler and Waldorf)
Crunchy or Creamy? No peanut butter for me. Caramel instead.
Favorite Sports Team? Sporting KC
Cake or Pie? Tea and cake, not death.
Lime or Lemon? Mostly lemon, but lime on certain things.
Favorite Chip Dip? Don’t laugh, but I like sweet pickle relish on chips.
Wet or Dry? Wet.
Favorite Musical Performer We’ve Never Heard Of? The Rogues (best pipe and drum music around)
Whisky or Whiskey? You want me to choose between the Scots and the Irish?
Favorite Superhero? Hard one. I’ll go with Hit Girl
Steak Temperature? Medium well
Favorite 1970s TV show? Monty Python’s Flying Circus of course … though I watched more WKRP in Cincinnati
Winter, Spring, Summer, or Fall? Fall
Favorite Pet? (Right now, Pip (named after Chiana in Farscape)
Best Game Ever? 1990, Risk, six people, New Year’s Eve
Coffee or Tea? Tea
Sci-Fi or Fantasy? Fantasy
What question(s) would you like to ask me?
What is your favorite obscure event in history?
My Answer: The easy answer here is the Martin Koszta Affair which many of you have seen me discuss in panels at conventions. I had a to do a project in grad school based on the letterbook of the USS St. Louis during the time of the Koszta Affair and I became perhaps the world’s leading authority on this particular event. That’s not actually hyperbole, oddly enough.
However, I have so many other ones I could choose. I modeled Edward to an extent on Imma from Chapter XXII of Bede’s Ecclesiastical History of the English People.Imma gets knocked unconscious in a battle and wakes up in a pile of dead including his lord and all his brother warriors. He is sworn to die before the lord, which does not happen. However, he is limited in what he can do after the fact because of the oaths he has sworn as a Christian. I love when characters have competing oaths that cannot be reconciled.
In all honesty, I get curious about everything. There are too many fun and wonderful moments in history to limit myself to just one.
Usually at Planet Comicon. My schedule this year is light because of some local moves I am making. Next year I plan to be back on the convention train.
Map of Cothel
Do you have a creator biography?
Thaddeus has always been interested in fantasy and science fiction. Early on, when just starting high school, his avid reading grew into a desire to write. A desire which has turned into a lifelong pursuit.
When not reading or writing, he enjoys hiking in the mountains, landscape photography, drawing, and spending time with his wife and two demanding cats.
He has degrees in Chemistry, Computer Information Systems, and Business Management and has held a handful of jobs: some in retail, some in healthcare, but primarily in the technology fields.
Thaddeus currently lives in Kansas with his wife and two cats, but wishes there were more mountains visible on the horizon.
Final question for you: What should I have asked but did not?
What are your current and/or upcoming project?
Life events have delayed me about a year, but I am working on two different pieces. The first is another series set in the same world as The Heirs of Cothel Series, but with new characters living in the far north. I am borrowing bits from Norwegian and Scottish history and culture and the main character is living in an occupied country and she has to figure out what she wants to do about that.
The second item is an urban fantasy that involves a young woman who has been living off the grid with her parents deep in the Rocky Mountains. However, both of her parents die and she has to discover the modern world and why her parents isolated her from everyone.
Finally, let me know any suggestions or comments you have about this interview format so I can keep tweaking it.
Thanks for reading. If you’re interested in any of the other interviews I’ve done, you can find them all here: https://robhowell.org/blog/?cat=326.
If you are a creator, especially an independent creator, and you want to be spotlighted in a future interview, email me at rob@robhowell.org.
Also, if you want to join my mailing list, where I’ll announce every interview, as well as what’s going on in my life, go to www.robhowell.org and fill out the form (Name and Email Address) or drop me an email and I’ll add you.
I have successfully made it back from ChattaCon. You can find my ChattaCon AAR here. The TL:DR version is that I really enjoy working with a number of writers and had lots of panels, but I don’t think I got enough value out of the cost of the trip. We’ll have to see about next year.
It’s good to get back. I don’t have any huge trips planned until Gulf Wars, though I am going to a few things. I’ll be at Clothier’s Seminar in a couple of weeks, then to Planet Comicon in KC in February.
Hopefully during that time we’ll see a change in the house situation. We’ll see. It cannot go on forever.
Still, I’m anticipating getting back into the rhythm of producing content and being a house-husband. I rather enjoy cooking, and I’ve hand fun playing around with new recipes.
One drawback of traveling is that it’s hard to eat well. I did my best at the Bird House, but overall I gained back about 5 pounds. I’m basically back where I started the year. Still, things could have been worse.
I’m adding two numbers below, just because I want to keep track of them. One is the number of articles on the Shijuren wiki, and the other is the number on the Four Horsemen wiki. I’m mostly doing this out of curiosity, but I know that Chris and Mark are anxious to see those numbers increase on the Four Horsemen wiki.
Current Playlist Song: Saltarello Wascherschloss by Corvus Corax. Corvus Corax is one of those bands that plays medieval music with medieval instruments, but with an almost metal energy.
Quote of the Week
2018 has been rough for me, and I’m sad to see Ursula K. Le Guin passed. The Wizard of Earthsea was the book I latched onto after Lord of the Rings. I vividly remember finding it in my 6th grade library. I know it was 6th grade because I remember the library and it wasn’t the one I had in 5th nor the one I had in 7th.
Anyway, today’s quote comes from her, and I hope she’s enjoying its fruits.
“Only in silence the word, only in dark the light, only in dying life: bright the hawk’s flight on the empty sky.”
― Ursula K. Le Guin, A Wizard of Earthsea
News and Works in Progress
No short stories this week.
Brief Is My Flame (32437) There are actually some snippets flying around that will get added next week.
Let me know if you have any suggestions on the website, this email, or cool story ideas at rob@robhowell.org. Especially let me know of suggestions you have for the Spotlight section.
Have a great week, everyone.
Rob Howell
Author of the Shijuren-series of novels
