Tag Archives: J.R.R. Tolkien

Rob’s Update: In A Hole In The Ground

Week 38 of 2018

Greetings all

This was not my best week ever. I caught a bit of con crud at TopCon and never really got myself going. That’s one reason why every one of my weekly posts happened today. Sorry about that.

I don’t get con crud often, and this time was kind of odd because the con had very little traffic. I sold enough, I suppose, but only because it was close enough for me to stay at home.

However, I’m glad I went because I got to hang out several friends, including James L. Young and Christopher Woods. In fact, Young helped me add a new event, the Great Plains Renaissance Festival in Wichita next weekend. If you’re in Wichita, come on by, I’ll be in the Author’s Pavilion.

Anyway, I didn’t get much written or done, which is annoying. My big accomplishment was making sure my sweetie got fed. That’s about it, though it’s important.

Today, I’m watching football and catching up with stuff, including my update. One thing I’m doing now is trying some new social media things. You’ll see me using hashtags much more often. Here are some you’ll see from now on.

  • #RobInterviewsCreators: My weekly interviews
  • #RobsReviews: Primarily for my magazine reviews, but I’ll tag anything I review on this blog
  • #RobsUpdate: These reviews.
  • #Shijuren: Anything related to me or Shijuren

I’ve also added the ability for you to share my posts at the bottom of each entry. If you like what I’m doing, please don’t hesitate to share.

It’s Cowboys v. Seattle, so I’m going to pay attention to that and write later. Have a great day.

Current Playlist Song

Since I’m watching the Cowboys game right now, I’m going to chat about my listening habits of late. Thanks to a buddy’s suggestion, I’ve been listening to Rush in album order. I keep forgetting just how good some songs I don’t listen to often actually are, especially in the context of the album. Clockwork Angels continues to amaze. It really is the best album of all time.

Quote of the Week

Friday (when I was supposed to my update) was the release of The Hobbit in 1937, so this one was easy.

In a hole in the ground there lived a hobbit. Not a nasty, dirty, wet hole, filled with the ends of worms and an oozy smell, nor yet a dry, bare, sandy hole with nothing in it to sit down on or to eat: it was a hobbit-hole, and that means comfort
J.R.R. Tolkien

News and Works in Progress

  • RTM (3,416)
  • The Feeding of Sorrows (approx. 20,000)
  • CB (8,418)
  • AFS (2,556)

Recent Blog Posts and Wiki Additions

Upcoming Events

Spotlight

This week’s spotlight is on Mel Todd, and it’s one of the more fun interviews I’ve had. You can find it here: https://robhowell.org/blog/?p=1401.

Today’s Weight: 384.2

Updated Word Count: 1057

Shijuren Wiki: 874 entries

Four Horsemen Wiki: 417 entries

Let me know if you have any suggestions on the website, this email, or cool story ideas at rob@robhowell.org. Especially let me know of suggestions you have for the Spotlight section.

Have a great week, everyone.

Rob Howell

Currently Available Works

If you think you received this email incorrectly or wish to be unsubscribed, please send an email to shijuren-owner@robhowell.org

Mag Review: Astounding (April, 1941)

Greetings all

Astounding April, 1941
Astounding April, 1941

This week I’m going to review Astounding, Vol. XXVII, No. 2 (April, 1941). You can find its complete table of contents here: http://www.isfdb.org/cgi-bin/pl.cgi?57379.

Unlike last week, where the Spaceway had few recognizable names, this issue is filled with them. John W. Campbell was the editor and if you ever wondered how much Campbell actually did, take a look at his full ISFDB page: http://www.isfdb.org/cgi-bin/ea.cgi?14.  Wow. He starts this issue off with a short essay pointing out the importance of sea-water sources in the future.

Robert Heinlein, L. Sprague de Camp, and Isaac Asimov in 1944
Robert Heinlein, L. Sprague de Camp, and Isaac Asimov in 1944

Anyway, there will be a bunch you’ll recognize in this review, starting with the Feature Serial The Stolen Dormouse by L. Sprague de Camp. I probably don’t have to talk about him very much, as well-known as he is, but I do have to put up this picture from when he worked with Robert Heinlein, and Isaac Asimov researching for the Philadelphia Navy Yard in World War II. What an amazing picture, and reminiscent of J.R.R. Tolkien, C.S. Lewis, and the Inklings, though I suspect these three did not have anywhere as comfortable as The Eagle and Child to chat about their writing. On the other hand, they probably got to at least watch the building of the USS New Jersey (BB-62) and the USS Wisconsin (BB-64).

Before even reading the story, though, I had my nose rubbed in one of my weaknesses: taglines. “The Stolen Dormouse: Part One of a new serial concerning a stolen semi-corpse – an engineer in suspended animation touches off a war in a later-day feudalism!” (Astounding, Vol. XXVII, No. 2, p. 9).

You had me at “stolen semi-corpse.”

I really enjoyed the story, especially the way de Camp interwove 1940s business terminology with feudalism. As an SCA ceremonial geek, I found the passage where the hero, Horace Juniper-Hallett is elevated to the rank of businessman delightful. “I hereby present to you the gold-inlaid fountain pen and the brief case that are the insignia of your new status. Guard them with your life” (p. 12).

Getting to wallow in the history of science fiction and fantasy is one of the prime joys of this exercise, but The Stolen Dormouse highlights the greatest drawback. This is Part One of the story. I have no idea when, or even if, I’ll grab the volume with Part Two. At this point, the story ends with, “A snore answered her” (p. 32).

At least I have Reason by Isaac Asimov to console me. This story is a robot story, but before the Three Laws of Robotics, which were originally published in the story Runaround first publish in the Astounding of March, 1942. It involves a robot who refuses to believe that humans invented it or, in fact, that anything exists outside of its mile-diameter solar energy generation station, completely dismissing Gregory Donovan and Mike Powell’s protestations. Despite, QT’s religious obsession with the “Master,” the robot continues to perform his duties at a level far surpassing human abilities. In other words, even though his “reasoning” is based on false assumptions, he retains his ability to do the job so they leave him in place and in fact plan to program all future models in the same way.

What’s fun, of course, is that it’s clear that Asimov is working his way up to the Three Laws. In Runaround Donovan and Powell return, this time with the explicit use of the laws. But that’s another issue, which might be on the shelves behind. I don’t rightly now, though I will do September, 1941 one of these days, which includes Nightfall.

Anyway, next we move on to Theodore Sturgeon’s Microcosmic God.  I love this sentence, “He never opened his mouth without grabbing a stickful of question marks.” (p. 47). The character he’s talking about is a bio-chemist named Kidder who creates a microcosmic race called the Neoterics who are fantastically intelligent. Their life cycle is much faster than humans, meaning that problems that take scientists generations to solve are solved much quicker, as their generations are that much shorter.

Kidder is oblivious of power and money, except when that allows him to expand his laboratory. Of course, not everyone is oblivious and his banker finally decides to kill the golden goose. In the end, the Neoterics create an impenetrable shield for Kidder, another scientist named Johansen, and the Neoterics to live out their lives in peace.

It’s a fantastic story and is included in The Science Fiction Hall of Fame, Volume One, 1929–1964. Let’s see, three stories in and we have a fun serial, a prequel to the Three Laws of Robotics, and one of the best short stories in science fiction history. Talk about the Golden Age of Science Fiction.

Next is Campbell’s column about what’s to come in the May, 1941 issue. The column talks about a story by Anson MacDonald called Solution Unsatisfactory. The story is about what happens if there’s a superweapon and what happens after that. In the story, all the solutions are unsatisfactory, but MacDonald goes through a number of them. “And MacDonald suggests that the weapon will come – and come in about three years. Personally, I’m most desperately afraid he’s absolutely correct. Now, remember this is April, 1941. Missed the prediction by a little more than a year, but is a fascinating question to someone who grew up during the Cold War.

Oh, and Anson MacDonald is one of Heinlein’s pseudonyms.

Anyway, we move on The Scrambler by Harry Walton. This story starts something like Moby Dick, in that a ship is trying to capture a living creature in space to help a man named Storm, who is searching for intelligent alien life. They succeed, though the captain is convinced it happened too easily. However, neither Storm nor the captain believe this could be the one until suddenly they find their personalities scrambled from man to man. They try to do roll call, but the personalities keep switching. Finally, they realize that Storm has actually had his personality switched with Comet the ship cat. The creature was testing the crew, and if they could realize Storm was in Comet’s body, learn from Storm that it was the creature’s doing while he was still a cat, they would all return to their rightful bodies.

So Storm has to endure the entire thing trying to get everyone to listen to him while as a cat. Oh, and it turns out that Comet had had a big night with a cat at the Martian fuel depot and was pregnant. A fun story, not a classic, but well worth reading.

Slacker’s Paradise by Malcolm Jameson is next. Another officer in the US Navy, he was forced out by cancer despite helping improve late World War II-era naval ordinance. He died in 1945 at the age of 53. It’s a damn shame, too, because Slacker’s Paradise is a great story.

Jameson uses his experience in the Navy and his knowledge of naval history to create something that would make a fantastic series of novels. This particular one draws on the surrender of the Austro-Hungarian battleships SMS Zrinyi and SMS Radetsky in 1918. The story is reminiscent of the Lieutenant Leary novels by David Drake. The only problem with Slacker’s Paradise is that it needs to be longer to draw out the tension.

Next is Not the First by A.E. van Vogt. In this story humans first break the light speed barrier, discovering that it shifts their perception of the universe they exist in. In so doing, it propels the ship at many thousands of times the speed of light. As it flies through the universe, their luck runs out and they find themselves sailing directly at a star so they try anything that comes to mind. In the end, they find a way to reverse time and send them back to where they were.

Right when the situation started with no change in the factors and for the “multi-billionth” time, the process begins again. Creepy. I like it.

Astronomer R.S. Richardson gives us our next article, Trepidation. While this is an excellent name for a short story, this is actually an article on trepidation in the astronomical sense.  I found this article confusing because the only theory of trepidation in an astronomical sense has been obsolete for centuries. This trepidation has to do with the speeding up and slowing down of astronomical bodies, as discovered by E.W. Brown. That led to questions of measuring time, including the difference between Universal Time and Terrestrial Time, and fluctuations of mass.

Back to fiction, we get Bird Walk by P. Schuyler Miller. This was an odd story to me. Basically, the birds of Venus include one that can tell when someone is lying, and the hero manipulates the thief of one of the, essentially, Crown Jewels of Venus into being within range.

But the story didn’t work for me. It could have, but I think it might have tried to do too much. The red herrings were too easy and the hints at strange powers by other Venusian animals not dealt with well enough. It could be a good story but much of what was in there was extraneous and the mystery too easily solved.

Next is another odd essay, The Homemade Gun of Jamrud by Willy Ley. It’s only one page about 2.75 inch hand-crafted gun made by a blacksmith in Jamrud. It was apparently more accurate than the official British Army ones. And that’s all there is to this.

Old Mr. Boston Apricot Nectar
Old Mr. Boston Apricot Nectar

The next short story is Mutineers by Karl van Rachen, which is actually a pseudonym of L. Ron Hubbard. This was a frustrating story for me, maybe because I was tired when I read it. It’s got a lot of moving parts and there’s too much exposition at the start. I got into it some when we got past the exposition into the action, but by that point I had lost my enthusiasm.

Doc Savage
Doc Savage

And it could have been a good story. Multiple mutinies and various different players are right up my alley. The hero wins by good tactics, awareness, and flat out bluffing. There’s a bit of a forced happy ending, which I hate, but it’s not awful. However, I just didn’t get into it.

Another possible reason are the great ads throughout this story. It’s at the end of the issue, so there are more ads and some are just wonderful from my perspective. Old Mr. Boston 70 proof Apricot Nectar as shown above from page 135? Maybe, but you might have me with the Wild Cherry version. There was also this Doc Savage ad on page 147.

But the piece de resistance was this wonderful Harley-Davidson ad. “See the 1941 models with their airplane styling, zooming power, rugged dependability and important mechanical improvements” (p. 145).

The most common advertisements in this issue, by the way, were ads to train you as a radio operator.

Anyway, at the end of Mutineers was an interesting postscript that I assume was written by Hubbard, as it doesn’t have any other name attributed to it. It’s a very short essay entitled Two Plus Two Equals 100. Obviously, it explains the binomial number system and points out that it is useful for “electrical calculating machines.” (p. 154) As someone writing on a fairly up-to-date computer and looking at my cell phone, I enjoyed this quote: “The resultant machine is bulky, but simple and positive in action” (p. 154). You don’t say?

Now we’ve gotten down to Brass Tacks, the letter’s to the editor section of Astounding. Several of this issue’s letters discussed a new rating system put into place by Campbell. In these Slan by Van Vogt gets a lot of approval. There’s also an announcement for the formation of the Minneapolis Fantasy Society, whose monthly meetings were held at the home of Clifford D. Simak, its director.

Another laments that Campbell could not come to the Chicago SF Convention because, “I’d hoped to see you and Doc Smith exchange diverse comment as of yore – remember the days of your glorious feud over the alleged – who did win those battles? – chemical vagaries in ‘Skylark of Space'” (p. 159). That would have indeed been fun to watch.

Then there’s a section of letters relating to hard science. The first discussed some new, higher resolution images from Mars showing conclusively the canals. The next one starts, “From the results the R.A.F. have been obtaining with their electrical enemy-airplane detectors, it looks as though spaceships when, as and if, won’t have to worry about developing meteor-detecting devices” (p. 163-4). Then it goes on to explain in some detail how radar works and how it blunted the Luftwaffe’s attacks in the Battle of Britain. Nothing new to us, but fantastic to see it from someone to whom it was new.

Well, I think that’s it from this issue. Clearly since I’m only two issues in, it’s a little silly to say this was my favorite issue. I’m sure I’ll find others, like perhaps the Astounding with Nightfall when I get to it. However, this was a brilliant example of the SF magazine concept. Great stories, writers who would become legendary, good scientific discussions, and good artwork.

Speaking of which, I suppose I should talk more about the art, but I got too much into the stories. Maybe next time. Speaking of which, I grabbed Fantastic Universe Vol. 3, No. 2 from March 1955. It’s table of contents is here: http://www.isfdb.org/cgi-bin/pl.cgi?89712.


If you have any comments, feel free to comment here or send an email to me at: rob@robhowell.org.

If you want to see previous reviews, the Mag Review category is here: https://robhowell.org/blog/?cat=432.

Interview: Todd Fischer

I know Todd Fischer as Colyne from Ealdormere. Among his other skills, he’s an amazing poet who can write in just about every medieval poetic style, which I can attest is not always easy. The sonnet ain’t got nothin’ on drottkvaet.

But as you’ll see, he can write much more than that.

What is your quest? I am eclectic by nature and I think that comes through I my writing preferences—namely, that I do not have any. I’ve written fiction, non-fiction and poetry; I’ve written horror, sci-fi, fantasy and “regular” fiction. When I first began to write, however, I was primarily focused on horror fiction. I was a young teen and I had just discovered the works of H. P. Lovecraft while camping in the woods of northern Canada. On a trip to town we had stumbled across an underground bookstore—literally underground, not figuratively—and after descending the concrete steps and entering the shop I was immediately drawn to the horror section where I found a large tome that arrested my attention. The cover was black and white but had red highlights, emphasizing the alien eyes and mouths of the depicted alien entities. I had heard of Lovecraft, thanks to the Real Ghostbusters episode featuring Cthulhu, so I eagerly bought the book and read voraciously from its font under the leafy canopy of the forest. This, I decided, is what I wanted to create.

Todd Fischer

So I started writing horror stories. I dabbled in some fantasy as well. Through the rest of high school I took part in some writing programs which resulted in Leon Rooke (author of the award winning Shakespeare’s Dog) reading one of my stories and telling me I was a sophisticated storyteller. That sealed the deal for me! I was gonna be a writer!

I applied to York University to study Creative Writing, which was a three year program, but you had to pass an introductory course in your first year before you could apply. (So a four year commitment in total.) You had to send in a portfolio to apply for the intro course, and only a certain number of applicants would be selected. Likewise, if you passed the course, you went through a similar application process for the actual course. It was a harrowing experience and somehow I managed to get into the program. The program exposed me to numerous forms of writing (as did all the English courses I also ended up taking) and I began to work in more than just horror and fantasy fiction.

During this time I got married, and my wife and I started “imelod, the litzine of horror and the bizarre” and published around twenty issues over the years publishing folks such as WH Pugmire, Jeffrey Thomas, John Ford, Stanley C. Sargeant and Ian Rogers. We also published chapbooks and a few comics. Our bestselling issues were those devoted to Lovecraft and eventually we started a second imprint called Mythosian dedicated to work of the Lovecraftian ouvre.

When I graduated university the plan was for me to work part time and devote the rest of my days to writing. Things did not go according to plan. As they say, man plans, Cthulhu rises from R’lyeh and consumes the world. Unbeknownst to me at the time, this is when my severe depression began. I had always suffered from depression (we know think since childhood) but this is when it began to become insidious and truly interfere with my life. I began to work full time in a company where the atmosphere was toxic, and I stayed there for just over ten years. My depression increased. I could no longer handle the constant rejection that comes hand-in-hand with being a writer. I stopped writing. We stopped publishing imelod.

About ten years passed. I went through a horrible six year stretch when my depression was at its worst, culminating in a breakdown. I was at a loss.

By this time I had joined a medieval recreation society and I was feeling adrift within it, as if I had nothing to offer the group. One of my friends suggested I try writing wording for club awards (in the Ontario chapter of this society each award handed out usually has personalized wordings). I had done some writing for the club when I started but had stopped as my depression got worse. So I took that suggestion and began to write again. From researching and writing these awards I began to write stories and articles and—most notably—poems. I wrote two monographs for the society’s monograph series and published poems and articles in several other society publications. One of my books (Osse Poetices) grew out of a project I did for the club.

In 2017 I decided it was time I got back up to bat and I began writing again for a wider audience. And that is the goal of my quest, my MacGuffin. While publication credits are excellent, and I am glad to be getting some again, it is the simple act of creation period that is my real goal.

(ed. note: One of the reasons I started writing fiction was to pull myself out of my own dark places. They weren’t as dark as what Todd faced, but dark enough. The need of a creator to create, I guess.)

What is your favorite color? I generally prefer stories (or poems) that are weird or surreal, such as the writings of China Miéville. Whimsical, but dark. You may find parts of my writing inspired by Shel Silverstein, Lewis Carrol, Mercer Mayer, Stephen King, J.R.R. Tolkien, and Thomas King. My visual depictions draw on Tim Burton and the Rankin-Bass specials and films.

I prefer language that is direct, and usually conversational. Realistic dialogue. I don’t mind when rules are broken, but to truly break them, you have to understand them.

What is the average flying speed of an unladen paint brush? As I mentioned above, I have severe depression. I also have several other mental and physical conditions that can make concentration difficult. It tends to take me a long time to finish a project if it’s longer than a few pages. I am highly self-critical and constantly doubt the validity and worth of my work. Since I work in short bursts when the stars are right, I sometimes rush things through during these manic periods, which means I do not spend enough time editing.

Occasionally I scratch my head when I receive a rejection from an editor. One specifically said they doubted the veracity of several details of a scene in my submission that was autobiographical—each incident they said was unbelievable had actually occurred. (Still, getting personal feedback is a rarity, and I appreciated receiving it.)

(ed. note: A perfect example of writing needing to make sense, where history doesn’t care if it makes sense or not.)

What are the powers of your personal Holy Hand Grenade? I have always been told that my dialogue is realistic, and that my imagery can be a “tour de force”.

Lightning Round

  • Favorite Muppet? I think I identify the most these days with Kermit the Frog, who feels as if they weight of the world is on his shoulders, who is desperately trying to navigate this crazy world while creating art.
  • Crunchy or Creamy? Creamy.
  • Favorite Sports Team? I do not follow the sports ball, so I generally just root for the home team wherever I am.
  • Cake or Pie? Cake, of the cheese variety.
  • Lime or Lemon? Lemon, in an ade.
  • Favorite Chip Dip? Dill.
  • Wet or Dry? Lubed is always preferable.
  • Favorite Musical Performer we’ve Never Heard Of? Leo Moracchioli’s heavy metal covers on YouTube are great.
  • Whisky or Whiskey? I don’t tend to drink much, and when I do I’m generally not picky.
  • Favorite Superhero? Wolverine. As a short, hairy Canadian I always identified with him. I also loved his bestial nature and his claws were cool, yo.
  • Steak Temperature? Well done. My stomach demands it.
  • Favorite 1970s TV show? All in the Family.
  • Winter, Spring, Summer, or Fall? Autumn. The season of apples, and pumpkins, of baking pies and crunching leaves, of oranges and reds, and All Hallow’s Eve. Spring is my least favourite season. It is cool and damp and wet and all the snow melts revealing the trash it had been hiding.
  • Favorite Pet? (provide pictures if you want) Mine, of course. She’s a rescue; a beagle-lab mix named O’ber (which is short for October). She has come a long way since we adopted her but she still sometimes has issues with other dogs. I have also had cats, rats and gerbils.
  • Best Game Ever? I play way to many games to choose one as the best of all time (card, board, RPG, video, etc). However, I loved the Mass Effect video games (especially 3), especially the setting they had created. For board games I enjoy paying Scythe, Parade, and Firefly: the Game. While I know the system is not everyone’s favourite, I grew up playing the Palladium Books RPGs and am still partial to them.
  • Coffee or Tea? Tea, but usually only if it’s iced. (In Canada, iced tea is sweetened. If I’m in the States I enjoy both iced and sweetened tea.)
  • Sci-Fi or Fantasy? I generally think that a lot of sci-fi is just fantasy in space anyway, so I tend to gravitate more to fantasy. If it’s dark, that’s even better.

What question(s) would you like to ask me? Just how much of your writing is grounded in actual history?

My Answer: That depends upon what you mean by grounded in. If you are asking if I have specific events that I am writing around, generally not.

However, I tend to write sort of like making a stew or pot roast. I don’t have a set recipe, more of a gathering of what’s at hand. Yet, at the bottom it’s almost always a beef roast.

History is sort of the base to everything for me, but it’s often not the big things. Trade routes, logistics, types of food that are available, materials and techniques used to produce stuff are all things I pay attention to. For example, I am constantly checking to see what vegetables and fruit are available in various places during different times of the year. I won’t say they’re always precise, but you can generally expect that what characters glean during their travels is, in fact, accessible.

That’s not to say that I don’t also pull from real events, people, and places. I do that, too, especially from stuff I find using Wikipedia’s random article function.

It’s all what comes to mind at a given moment that gets tossed into the pot.

Tell me again where we can find your stuff?

Many thanks to Todd for taking the time to join me. Take a look at his work. Or don’t and risk Cthulhu’s wrath. Choose wisely 😀


If you are a creator, especially an independent creator, and you want to be spotlighted in a future interview, email me at rob@robhowell.org.

Also, if you want to join my mailing list, where I’ll announce every interview, as well as what’s going on in my life, go to www.robhowell.org and fill out the form (Name and Email Address) or drop me an email and I’ll add you.

Rob’s Update: Home Sweet Home

Week 12 of 2018

Greetings all

I’m back and mostly recovered from Gulf Wars. From a professional point of view, it was a productive time. I got lots written. I’ve finally broken the 50k barrier in Brief Is My Flame while tossing some towards None Call Me Mother.

I also sold enough to pay the gas and site fee. With this success, I made some new plans to expand my merchanting by getting my own booth at Gulf. I’m excited as it’s another step forward for me.

However, I did not have as much fun as I have had at such events before. These two things are not unrelated.

Basically, I came home from fairly long days and simply didn’t have as much energy as I wished to participate in the fun. Mostly, this was because I was so tired of talking to people that I needed to retreat.

Next year I’ll have my own spot, which will hopefully make things go a little smoother since I won’t be juggling two different camps. I won’t be on the corner in Calontir, but frankly, when I got home after working I wasn’t able to do the job of welcoming people to Calontir properly anyway. I’ll miss that spot, which I’ve occupied for the past fifteen years or so, but it’s time to move on.

I’d been contemplating expanding my wares to include stuff on consignment, other books, CDs, stuff we’ll make when we get a shop, and things that Giulia wants to make. By July I hope to have enough to sell to reasonably fill the front of my pavilion.

Over the past few years, Master Andrixos, the greatest trim monger I know and the owner of Calontir Trim, has greatly helped me. He’s taught me much of what’s involved in being a merchant and he’s done me any number of favors. I can’t thank him enough for his help.

But it’s time for me to have my own home at most events.

Current Playlist Song

Humorously, as I talk about taking the next leap into the wine-dark sea, the current song is Styx’s “Come Sail Away.”

Quote of the Week

Today’s quote is how my life seems as my professional life adapts alongside the personal one. I see a great future, but I have to muddle my way through the present.

“It’s a dangerous business, Frodo, going out your door. You step onto the road, and if you don’t keep your feet, there’s no knowing where you might be swept off to.”

– Bilbo Baggins, J.R.R. Tolkien, The Lord of the Rings

News and Works in Progress

  • TAV (1,144)
  • AFS (2,681)
  • Brief Is My Flame (50,597)

Recent Blog Posts and Wiki Additions

  • Nothing new but check the blog on Tuesday as I’ll be adding a recurring feature.

Upcoming Events

Spotlight

This week’s spotlight is on Kevin Ikenberry, who just released a new novel in the Four Horsemen Universe. You can find it here: https://www.amazon.com/Honor-Threat-Revelations-Cycle-Book-ebook/dp/B07BFWWL9W/

Today’s Weight: 387.8

Updated Word Count: 19,046

Shijuren Wiki: 741 entries

Four Horsemen Wiki: 195 entries

Let me know if you have any suggestions on the website, this email, or cool story ideas at rob@robhowell.org. Especially let me know of suggestions you have for the Spotlight section.

Have a great week, everyone.

Rob Howell
Author of the Shijuren-series of novels

Currently Available Works

If you think you received this email incorrectly or wish to be unsubscribed, please send an email to shijuren-owner@robhowell.org